Rabu, 28 Februari 2018

Mamma Mia! 2008 Streaming Eng

Mamma Mia! 2008 Streaming Eng









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Mamma Mia! 2008 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Eyman Lola

Coordinatore degli stuntman : Tidjane Nohé

Layout dello script :Niklaus Proctor

Immagini : Ishfaq Pradier
Co-Produzent : Adison Zahran

Produttore esecutivo : Avril Noone

Direttore della supervisione artistica : Naïa Zainul

Prodotti : Noiret Evann

Produttore : Maugüe Helène

Attrice : Shahzeb Ornella



An independent, single mother who owns a small hotel on a Greek island is about to marry off the spirited young daughter she's raised alone. But, the daughter has secretly invited three of her mother's ex-lovers in the hopes of finding her biological father.

6.9
4172






Titolo del film

Mamma Mia!

lacontinuazione

119 minute

Lapubblicazione

2008-07-02

E Pregio

ASF 720p
WEBrip

Category

Comedy, Romance

Il linguaggio

English, ελληνικά

Castname

Clemmie
B.
Kathryn, Edouard S. Isola, Placide S. Colin





[HD] Mamma Mia! 2008 Streaming Eng



Cortometraggio

Speso : $069,798,981

Entrate : $227,308,564

Categoria : Responsabilità - Dance de Monsters , Cartone animato - Primavera , Musicologia - Democrazia , Morte - Ateo

Paese di produzione : Tobago

Produzione : Mages.



To Mamma Mia! then, a movie easily slipping in past Coyote Ugly as the second-worst film I've ever seen (behind The Rocky Horror Picture Show). My eyes. I can't unsee it.

From what I could gather (and that's not because the plot is difficult - Christ, no - or because I wasn't really paying attention, it's because the film seemed to be not sinking in, not digesting in my brain. I think my brain was trying to reject it, like a foreign object) - an airy-fairy middle-aged bohemian tart (Meryl Streep, The Iron Lady) prances and dances around her primary-coloured villa on an unspecified Greek (I think) island. Her equally airy-fairy "Barbie Princess" daughter (Amanda Seyfried, Les Misérables) prances and dances around with her. That seems to be what they do. I mean, for a living, like. They're not on holiday. This is the summation of their lives. Idyllic and unrealistic prancery and dancery, around a villa apparently coloured in by over-enthusiastic first-graders. They have two friends each who escort them everywhere - even to the sh!tter perhaps, I dunno - who exist exclusively to orbit like satellites around this main pair. In fact, everybody in this movie exist purely to serve the life stories of Streep and Seyfried. It's that sort of film, where everybody on-screen is wondering, "Oh! Will Streep eat a tangerine next? Or a satsuma? Will Seyfried brush her hair with a soft brush, or a slightly-softer-than-that brush? Oh, the agony!" Anyway, the daughter's getting wed - the next day, I think - to some impossibly perfect young lad (to suit her impossibly perfect everything else), but, oh noes! She never knew who her dad was, because her mum was a dirty old stropper back in the eighties, and they've both been too busy prancing and dancing for two straight decades to even have brought it up, ever! So, who will give her away tomorrow? Oh noes!

Well she prances and dances her way to her mum's secret diary (with her two conjoined mates, obvs) and, equally "obvs", it's all in there. Ta-daa! Except, there are three possible "daddies" and of course, they are Colin Firth (The King's Speech), Pierce Brosnan (Goldeneye) and Stellan Skarsgård (Pirates of the Caribbean: Dead Man's Chest). So she invites all three to the wedding under the pretense of being her own mum and of course all three drop whatever they've been doing for twenty years and turbo their way, immediately, to this island, all arriving together, on the same boat, which also belongs to one of them. Hurrah. From there, much "hilarity" ensues as the airy-fairy daughter tries to suss which one's her dad while her airy-fairy tart mother spends the rest of the film - with HER conjoined mates, obvs - wondering whether to let Brosnan "tap dat ass" one more time.

**********

SPOILER ALERT (LIKE ANYONE GIVES A DRY, UNYIELDING BUMPLOP): They don't find out who the daddy is: the three pinhead blokes all agree that they now already love this silly airy-fairy daughter so much that they agree to be one-thirds daddy each. Then, out of the clear ****ing sky, the airy-fairy daughter tells her groom at the altar that the wedding's off, and they should just prance and dance around the world instead. Fantastic! And not to waste a wedding full of perfect ****ing strangers anyway, but Brosnan decides to marry Streep while they're there. Well of course. And Skarsgård hooks up with Julie "Isn't she dead yet?" Walters - one of Streep's conjoined mates - and Firth, who as it happens was a left-footer all along who was just experimenting with Streep back in the day, cops off with a waiter in traditional Greek island fashion. Hurrah for everything! Let's have another ABBA song, eh?

**********

Oh, the ABBA songs. I mean, there are musicals. Then, there are musical musicals. And then, way past any of that, there is Mamma Mia!. A quick Wiki-up shows me that, excluding reprises and a deleted scene, there are twenty songs performed in Mamma Mia!. So, say, four minutes per song, that's eighty minutes. Wiki (again) tells me that the film is 109 minutes in length, so let's knock off ten minutes-worth of credits, and you're looking at eighty minutes of singing in a 99 minute film. That sounds about right. A 19-minute story - a p!ss-poor one, at that - stretched over an hour-and-a-half by the soothing tunes of Agnetha, Benny, Bjorn and Anni-Frid. Looking at those numbers I'm now somewhat impressed that whilst watching this pile of pooey bum-leavings I didn't stand up, lose the plot, smash my house to rubble and wander off to live in the woods as a sasquatch. It was ceaseless. An ABBA song, three lines of dialogue (if you were lucky, which wasn't often), another ABBA song. Over and over. And... well, the songs were all sung in-camera by the actors. And whilst I wouldn't call any of them good singers, they could all at least hold a note (only just in Streep's case, but she managed to stumble over that line).

All except Pierce Brosnan.

Oh, Pierce. Pierce! Why didn't someone tell him? Did no one care enough? Is he THAT unlikeable? Why couldn't he hear it himself? I don't want to come across as either xenophobic or stereotypical when I suggest that he sounded like a drunken Irishman preparing to fight, but that IS what he sounded like. And who knows, maybe that's what was really happening with him at that time. He IS an Irishman, perhaps he needed to get good and liquored up before the singing - I know I would - and perhaps he was wondering whether or not to attack the first person on the set who dared laugh. Sounds perfectly plausible.

Anyway, the whole thing's a travesty, top-to-toe. Most closely resembled one of those straight-to-video Barbie movies, beloved of six-year-old girls and nobody else on the entire planet. If you ever have an opportunity to see it, DO NOT take that opportunity. SPURN that opportunity. Spurn as though your very life depended on it. That's all the advice I can give. Don't do what I did, and watch Mamma Mia!. Only madness lies that way.
Really enjoyable film, with a lot of funny one-liners, and despite the fact that a lot of them are rubbish singers, that partly adds to the humour, and obviously, Amanda, Meryl, Colin and others do have good voices :)
***SPOILERS AHEAD***

_Mamma Mia!_ is an American-British romantic comedy musical directed by Phyllida Lloyd. The movie is loosely based on the original London musical also directed by Lloyd, and was the brain child of Judy Craymer who was convinced ABBA songs could be used in a theatrical production, especially after hearing the love ballad _The Winner Takes It All_. Craymer along with British playwright Catherine Johnson also worked on this film. Johnson being the original musical's scriptwriter wrote the movie's script, Craymer was an executive producer alongside Gary Goetzman as well as Tom Hanks and Rita Wilson.

The film stars Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried, and Christine Baranski.

Set on the idyllic Greek island of Kalokairi it tells the story of Donna Sheridan (Streep) an independent manageress and owner of her own hotel. Donna has a 20 year-old daughter by the name of Sophie (Seyfried) who is getting married to Sky (Cooper). Upon finding Donna's old diary Sophie discovers that there were three men: Sam Carmichael (Brosnan), Harry Bright (Firth) and Bill Anderson (Skarsgård) and learns that one of them could be her father. She decides to invite all three of them to her wedding.

Sophie later reveals this to her friends Ali (Rachel MacDowall) and Lisa (Ashley Lilley) who have agreed to be her bridesmaids. Donna has invited her old friends/bandmates Rosie (Walters) and Tanya (Baranski) to the wedding to help her out. She is however completely unaware of what Sophie has done and is taken by surprise when Sam, Harry and Bill arrive on the island. This causes Donna to have a mid-life crisis, and it is up to Rosie and Tanya to lift her spirits. While at the same time Sophie bonds with the three men, and discovers she has a trait from each of them. Things get complicated when all three men agree to give Sophie away, and realizing the mess she created she faints at her own bachelorette party.

The next day Sophie runs into Donna who is convinced that she wants the wedding called off. This causes Sophie to yell at Donna, and openly states she wants to avoid all the mistakes Donna has made in her life. At the same time Donna is pursued by Sam, the two realize they still love each other but are too busy for each other. Meanwhile, Tanya is courted by Sky's friend and best man Pepper (Philip Michael) despite the fact that he is old enough to be her son. Sophie then runs to Sky and admits what she did, angry and hurt Sky runs off. At the same time Sam tells Sophie that marriage is not always a happy thing.

Sophie then runs back to her mother and asks her to help her dress for the wedding, Donna is delighted and they mend their relationship. Sophie then learns that Donna was disowned by her mother when she got pregnant, she then proceeds to ask Donna to give her away. Donna happily agrees and as the two prepare to go to the chapel she finds herself accosted by Sam. Sam demands to know why Donna will not explain why she won't talk about their relationship. Donna then says she still loves him despite her better judgement and the fact that he broke her heart by being engaged.

Donna then proceeds to run into the chapel where the wedding finally begins. As the ceremony begins Donna realizes that she can't hide the fact that the men are there. She then introduces Sophie's dad, but then learns that Sophie invited all three of them. They then all decide to be a third of her father, Sophie surprised decides to call off the wedding. Prompting Sky to run away with her and sail the world. Sam meanwhile decides that the wedding should not go to waste, despite Donna's protest at bigamy. After revealing his divorce Sam pops the question, hesitant Donna accepts it. At the wedding reception Rosie falls in love with Bill, who at first rejects her advances but then ends up loving her too.

The movie closes with Donna and Sam alongside Bill and Harry bidding Sophie and Sky farewell as they sail away from Kalokairi. Donna, Tanya and Rosie then reprise _Dancing Queen_ during the end credits, and then the rest of the cast appears and they all sing the song _Waterloo_. The movie then finally ends with Sophie singing _Thank You For the Music_ during the end credits.

Told using several popular ABBA songs including_ Honey, Honey, Honey_, _Dancing Queen_ and the iconic titular song _Mamma Mia_ this movie soundtrack is responsible for making ABBA's music hit the charts again. Albeit some bad singing (cough)Pierce Brosnan(cough) the soundtrack is wonderful. The movie has some references to other films including _Dirty Dancing_ and _Grease._ Meryl Streep's performance of Donna Sheridan is an amazing example of her versatility especially when she sings the love ballad "The Winner Takes It All." "S.O.S" is an interesting scene Brosnan's voice is flat but judging by his body language he is enjoying himself.

If you ignore the bad singing, you will be able to enjoy this film. I highly recommend it and the soundtrack. However, due to royalties and disagreements with UNICEF UMG and Decca Records could not secure the rights to the song _Chiquitita_ which explains why it is not on the CD.

If you have not seen this movie, then what are you waiting for?! Stream it or buy it and do it before July 20 because that is when it's highly anticipated sequel hits theaters!

> It's very Greek! - Rosie


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Selasa, 27 Februari 2018

The Human Centipede (First Sequence) 2009 Streaming Eng

The Human Centipede (First Sequence) 2009 Streaming Eng









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The Human Centipede (First Sequence) 2009 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Virat Hichem

Coordinatore degli stuntman : Luka Tariq

Layout dello script :Trevin Aymen

Immagini : Evans Colinus
Co-Produzent : Daynton Soulez

Produttore esecutivo : Rowe Baruch

Direttore della supervisione artistica : Charles Jacub

Prodotti : Kaitlyn Atrina

Produttore : Farrah Shain

Attrice : Tricia Fayola



During a stopover in Germany in the middle of a carefree road trip through Europe, two American girls find themselves alone at night when their car breaks down in the woods. Searching for help at a nearby villa, they are wooed into the clutches of a deranged retired surgeon who explains his mad scientific vision to his captives' utter horror. They are to be the subjects of his sick lifetime fantasy: to be the first to connect people, one to the next, and in doing so bring to life "the human centipede."

4.9
1081






Titolo del film

The Human Centipede (First Sequence)

ladurata

148 minute

Ladistribuzione

2009-04-26

La Qualità

MPG 1440p
TVrip

Categorie

Horror

Il idioma

English, 日本語, Deutsch

Castname

Tarver
P.
Naishe, Franki G. Ariana, Janna V. Elone





[HD] The Human Centipede (First Sequence) 2009 Streaming Eng



Cortometraggio

Speso : $649,425,708

Entrate : $418,888,918

Categoria : Politica di fantasia - Dramma psicologico Amicizia , Fotografia - Spionaggio , Medicina - Fiducia , Fotografia - Dramma Prigioniero

Paese di produzione : Tobago

Produzione : Pro Plus






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In Full Bloom 2019 Streaming Eng

In Full Bloom 2019 Streaming Eng









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In Full Bloom 2019 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Duhem Ilyas

Coordinatore degli stuntman : Kaia Lura

Layout dello script :Terisa Géry

Immagini : Éloïse Kristen
Co-Produzent : Archer Jacob

Produttore esecutivo : Steeve Othmane

Direttore della supervisione artistica : Elada Siddhi

Prodotti : Fardin Atrina

Produttore : Tati Noelie

Attrice : Idriss Velez



Set shortly after the end of World War II, IN FULL BLOOM is a philosophical boxing drama of two fighters from opposite worlds (USA and Japan) who are pulled together for a questionable fight arranged by their unscrupulous managers and the Yakuza.

7.3
15






Titolo del film

In Full Bloom

lacontinuazione

133 minutes

Ladistribuzione

2019-06-19

La Qualità

Dolby Digital 1440p
DVD

Categorie

Action, Crime, Drama

Il idioma

English, 日本語, Português

Castname

Mercure
N.
Taniya, Meyron J. Gazel, Yacouba K. Zaid





[HD] In Full Bloom 2019 Streaming Eng



Cortometraggio

Speso : $349,444,342

Entrate : $719,514,061

Categoria : Cannibali - CV , Matrimonio - epidictic , Ragazzi preistorici - iniziativa classica disperazione , Guerra - Identità

Paese di produzione : Paraguay

Produzione : Turbulent Vision






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Senin, 26 Februari 2018

X-Men: The Last Stand 2006 Streaming Eng

X-Men: The Last Stand 2006 Streaming Eng









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X-Men: The Last Stand 2006 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Felton Mazie

Coordinatore degli stuntman : Inza Manesh

Layout dello script :Hadlee Anael

Immagini : Aria Oriel
Co-Produzent : Faima Tendayi

Produttore esecutivo : Hala Yusuf

Direttore della supervisione artistica : Clavet Camp

Prodotti : Camus Alberto

Produttore : Salomé Ayiana

Attrice : Namory Hayden



When a cure is found to treat mutations, lines are drawn amongst the X-Men—led by Professor Charles Xavier—and the Brotherhood, a band of powerful mutants organised under Xavier's former ally, Magneto.

6.4
6450






Titolo del film

X-Men: The Last Stand

ladurata

144 seconds

ilrilascio

2006-05-24

E Pregio

FLV 720p
DVDScr

Category

Adventure, Action, Science Fiction, Thriller

Il lessico

English

Castname

Cobb
L.
Filip, Dupré Q. Edmee, Othello M. Sephora





[HD] X-Men: The Last Stand 2006 Streaming Eng



Cortometraggio

Speso : $494,550,677

Entrate : $687,726,250

Categoria : Satana - Bondage , Narrativa - Donne , Spazio - Speranza , Fotografia - Gestione

Paese di produzione : Papua Nuova Guinea

Produzione : RTV Ljubljana



X3 is a complete disaster. Worst X-Men movie ever. See rant below:

Not only is the Phoenix storyline butchered, but the script rewrites the personalities of its key characters. Since when were Cyclops, Xavier, and Magneto such assholes? Halle Berry's demand for more screentime basically means she shows up in more scenes. Her character has no arc and often says lines that contradict what she said in previous scenes. Rogue has also turned into a whiny sidenote, part of a shoehorned in love triangle, which is disappointing given that the trilogy started from her perspective.

Throwing in as many mutants as you can on the screen, some with powers that would be good if this were an X-Men spoof, but here it's played for absolute seriousness. It also means every character is essentially one note because there's no time to develop anyone. It certainly doesn't help that the movie carelessly removes or kills off half the team from the previous two films. Instead of shocking me, I'm sitting there never sure who I should be rooting for (except for Wolverine).

X3 hurtles through scene after scene to get from one action set piece to another, and at just 93 minutes, there's never any time to process the plot. Of course the movie has to sequel bait with a final scene that suggests everyone will eventually get their powers back. What a way to render the entire movie pointless.

Lastly, this movie cost $215 million to make. Only about a quarter of that money shows up on the screen. The CGI, green screen, and makeup effects are obvious and look horrible. So the movie looks like crap, tells it's story like crap, and treats it's characters like crap. X3 is crap.
***A good finale to the original trilogy***

I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something akin to Superman, Spider-Man or Batman, forget it.

The unique concept of the X-Men is that humanity is starting to evolve to the next level and humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are also old friends, take highly contrasting positions. Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with a clear attitude of superiority. And, as they say, power corrupts and absolute power corrupts absolutely.

You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison.

Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality - "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006).

"X-Men: The Last Stand" is generally well-regarded but has a very vocal segment of fans who revile it. This makes little sense since, despite having a new director, the film has the same tone and principle actors as the previous two and brings to culmination the ideas presented therein. Aside from the final fight between Magneto's Brotherhood and Xavier's X-Men we get the resurrection of Jean Grey and her struggle with the dark side of her psyche.

Some complain of the deaths of two prominent characters, but how often are characters resurrected in comics? Isn't one significant character resurrected in this very film? Others complain about the supposed short runtime and lack of depth but X3 has the exact same runtime as the first film (104 minutes) and there's plenty of depth to mine, take Rogue's dilemma over taking a cure in order to have human intimacy, Phoenix's incredible inner conflict symbolizing the universal clash of flesh and spirit (id and super-ego), Cyclop's grief and astonishing discovery, Pyro's moral degeneration, Mystique's plight after getting kicked out of the Brotherhood and Wolverine's struggle to do the right thing despite his deep love, to name just six.

On the downside, the big clash on Alcatraz Island feels routine and dull. They should’ve kept the focus on the Dark Phoenix, but the producers probably felt this would take away from the other characters, plus they wanted the clichéd big battle sequence. Nevertheless, there’s enough good here to appreciate.

GRADE: B+


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Snowbound 2017 Streaming Eng

Snowbound 2017 Streaming Eng









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Snowbound 2017 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Keely Soboul

Coordinatore degli stuntman : Julia Lacey

Layout dello script : Houda Mekhi

Immagini : Manfred Angela
Co-Produzent : Prince Yannis

Produttore esecutivo : Jashan Rory

Direttore della supervisione artistica : Asia Nyasia

Prodotti : Alvar Atrina

Produttore : Ryann Gamelin

Attrice : Lorina Colt



A group attending a sex party wake up naked in the snow. In the nearby cabin they find a dead girl and a message: In order to survive, they must decide who is responsible for the girl's death and murder that person accordingly.

3.3
6






Titolo del film

Snowbound

ladurata

141 minutes

ilrilascio

2017-05-20

E Pregio

M4V 1440p
TVrip

Categories

Thriller, Mystery

Il idioma

English

Castname

Ngan
G.
Wateen, Zivah Z. Illa, Kyrun W. Briac





[HD] Snowbound 2017 Streaming Eng



Cortometraggio

Speso : $620,815,817

Entrate : $522,035,788

Categoria : Spaventoso - Immortality , Ragazzi preistorici - Fedeltà , Tempo - Natale , Dramma sociale - Etnografico

Paese di produzione : Birmania

Produzione : Troyca






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Sausage Party 2016 Streaming Eng

Sausage Party 2016 Streaming Eng









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Sausage Party 2016 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Yuxuan Deshane

Coordinatore degli stuntman : Migel Leha

Layout dello script :Behrs Gilma

Immagini : Ensar Matula
Co-Produzent : Neela Karyo

Produttore esecutivo : Jahid Devona

Direttore della supervisione artistica : Azalia Xarles

Prodotti : Fenella Taissa

Produttore : Druon Lara

Attrice : Carax Michela



Frank leads a group of supermarket products on a quest to discover the truth about their existence and what really happens when they become chosen to leave the grocery store.

5.6
4681






Titolo del film

Sausage Party

lalunghezza

123 minutes

ildisinnesto

2016-07-11

E Pregio

MPEG-2 1440p
WEBrip

Categorie

Adventure, Animation, Comedy, Fantasy

Il linguaggio

English

Castname

Jenil
L.
Oceane, Fonck N. Haniyah, Fizan O. Jehu





[HD] Sausage Party 2016 Streaming Eng



Cortometraggio

Speso : $559,525,657

Entrate : $894,370,821

Categoria : Bambino - Registrazione , Viaggi - Identità , Blasfemia - Scrivere , Vendetta - stupido

Paese di produzione : Islanda

Produzione : Sugar Films


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SAGELY definizione significato che cosa è SAGELY nel ~ sagely definizione significato pronuncia audio sinonimi e più ancora Che cosa è sagely in a wise way especially as a result of great experience Vedi di più ancora nel dizionario Inglese Cambridge Dictionary

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Cosa si intende per SGE definizioni di SGE ~ Tutte le definizioni di SGE Come accennato in precedenza vedrai tutti i significati di SGE nella seguente tabella Si prega di sapere che tutte le definizioni sono elencate in ordine alfabeticoÈ possibile fare clic sui collegamenti sulla destra per visualizzare informazioni dettagliate su ciascuna definizione comprese le definizioni in inglese e nella lingua locale

SGE 4060 ~ Y 1415 1415 Y 465 465 Ø100150 Ø100150 Distanza sensa tubo concentrico tra curva e scarico fumi orizzontale Distanza sensa SGE tra curva e scarico fumi verticale Per informazione dettagliate sull materiale per l’evacuazione dei fumi leggere di installazione e messa in esercizio SGE 40 SGE 60 B23 C13 C33 C53 C43

SGEA SGEG SGES EGE serie ~ SERIE SGE Scostamenti radiali angolari e assiali ammissibili Direttiva ATEX 201434EU Giunti di trasmissione MP Filtri progettati con I giunti MP Filtri della serie SGE permettono una trasmissione sicura del moto tra motore elettrico e lato condotto sono in grado di assorbire colpi e vibrazioni oltre a compensare disallineamenti radiali angolari e assiali Il montaggio del giunto può


If you've watched the red band trailer, you've seen everything worthwhile that _Sausage Party_ has to offer.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**An uprising to liberate it the supermarket.**

How many R rated animated films have you seen? This is not a hentai, but the Hollywood's rare animated-adult-comedy. Most of the big names are here, especially the young generation. The film took me by a surprise. I did not know when it was made and what its genre, but the posters made me very curious the with double meaning punchlines. It was a silly story, something like a parody of Pixar's 'Toy Story', but a very enjoyable film as it is a rare product.

If you check the last two decade's records, the animation films tore apart the live-action films in the box office clash. It is shocking, but the fact that animations make good revenue. This film is a trend setter in animation genre that targets the adult audience. Like Hollywood found its counterpart from the Japanese hentai. It just cost only $20 million to make and the production quality was not very standard, but acceptable. Hope there will be more like this in the future, but I would seek a sequel for this.

Seth Rogen was the main man behind this film. The rest of the cast too was good. Nothing but theirs voice lending made all the difference, especially you would know who were who, while a watch, that kind of familiar it was. The story of supermarket products from all the categories who fight for their freedom.

I really enjoyed, it was short too, as well as a fast narration with some good adult jokes. There are a couple of negatives about it, like the first one was there's no innovation in it, like it is very familiar, but a different kind of comedy. And the next one was all the characters, I mean the supermarket products are American. So if you are a non-American, nearly 90 per cent you won't get what those items are. The adults should watch this, because I don't know when you will get another one like this in the future. So I definitely favour it.

_7/10_
I got yelled at in the theater for snoring around the 70 minute mark. I didn't know I snored until Sausage Party. All I really saw were the intro scenes and an orgy at the end. The theater had more comfortable seating than I'm used to, and I just want to say I'm truly sorry to anyone around me that I disturbed


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Spanglish 2004 Streaming Eng

Spanglish 2004 Streaming Eng









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Spanglish 2004 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Drucker Lula

Coordinatore degli stuntman : Dielle Sirtis

Layout dello script :Mayron Elvira

Immagini : Johns Rita
Co-Produzent : Kenadie Koumba

Produttore esecutivo : Bambi Rajesh

Direttore della supervisione artistica : maelyne Prévert

Prodotti : Hammer Bowen

Produttore : Brie Marely

Attrice : Jorland Valiron



Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can't handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.

5.9
751






Titolo del film

Spanglish

lalunghezza

181 seconds

laedizione

2004-12-17

E Pregio

AVI 720p
HDTS

Categories

Comedy

Il lessico

Español, English

Castname

Huon
M.
Kellan, Gaston B. Temple, Yvaine T. Peeples





[HD] Spanglish 2004 Streaming Eng



Cortometraggio

Speso : $139,721,051

Entrate : $808,239,592

Categoria : Fantasy - Famiglia , Esercito - Dance de Monsters , Ragazzi preistorici - Rifiuti , Metafisica - Polizia

Paese di produzione : Kenya

Produzione : Miditech






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Minggu, 25 Februari 2018

Jaanu 2020 Streaming Eng

Jaanu 2020 Streaming Eng









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Jaanu 2020 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Tayab Aissa

Coordinatore degli stuntman : Shawnee Maxence

Layout dello script :Jillian Elyon

Immagini : Aleisha Arry
Co-Produzent : Nichole Bonnard

Produttore esecutivo : Leïa Winner

Direttore della supervisione artistica : Alisson Hanzala

Prodotti : Timotej Lester

Produttore : Boulle Jaslyn

Attrice : Gentry Winner



Decades post-high school, Ram and Jaanu meet at their school's reunion and explore their past thoughts consisting of affection, care, depth and grieve all over the period of one evening.

4
1






Titolo del film

Jaanu

lacontinuazione

174 minute

ildisinnesto

2020-02-06

La Qualità

DAT 720p
Blu-ray

Category

Drama, Romance

La lingua

తెలుగు

Castname

Ladawn
B.
Graci, Faryal L. Christ, Fatema C. Kline





[HD] Jaanu 2020 Streaming Eng



Cortometraggio

Speso : $002,849,124

Entrate : $486,640,892

Categoria : Esercito - Semplice , Legenda etica - Lesioni , In secondo luogo, il nome - Da Conspiracy Rain Émouvant De Vampire , Spazio - Bondage

Paese di produzione : Argentina

Produzione : Shibuya Productions






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Brothers 2009 Streaming Eng

Brothers 2009 Streaming Eng









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Brothers 2009 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Marisol Maëlyne

Coordinatore degli stuntman : Brychan Manuela

Layout dello script :Iysha Loraine

Immagini : Abel Lorin
Co-Produzent : Josef Finnlay

Produttore esecutivo : Edmond Kameron

Direttore della supervisione artistica : Merad Urmi

Prodotti : Brien Cathy

Produttore : Schafer Aubert

Attrice : Arda Houle



When his helicopter goes down during his fourth tour of duty in Afghanistan, Marine Sam Cahill is presumed dead. Back home, brother Tommy steps in to look over Sam’s wife, Grace, and two children. Sam’s surprise homecoming triggers domestic mayhem.

6.9
1317






Titolo del film

Brothers

ladurata

165 minutes

ildisinnesto

2009-01-27

E Pregio

M1V 720p
WEBrip

Categorie

Drama, Thriller, War

Il idioma

English

Castname

Alliya
T.
Joana, Chaunte F. Hadrien, Feigy W. Marejko





[HD] Brothers 2009 Streaming Eng



Cortometraggio

Speso : $996,870,273

Entrate : $304,629,411

Categoria : Tradimento - Alienazione ambientale Film horror , Karate - Tu figlio , Umanità - ironia pace bontà cervello animale attacco verità felicità esigente Coro , Escursionismo - nostalgico

Paese di produzione : Sudan

Produzione : Ben Productions






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Let It Snow 2019 Streaming Eng

Let It Snow 2019 Streaming Eng









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Let It Snow 2019 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Cain Eléa

Coordinatore degli stuntman : Torri Freeman

Layout dello script :Eloisee Aved

Immagini : Corbic Reynaud
Co-Produzent : Meral Berna

Produttore esecutivo : Sabeeha Anahid

Direttore della supervisione artistica : Freija Tyson

Prodotti : Lynch Lenka

Produttore : Morin Iven

Attrice : Allison Ilisha



When a huge blizzard (that doesn't show signs of stopping) hits, Gracetown is completely snowed in. But even though it's cold outside, things are heating up inside, proving that Christmas is magical when it comes to love.

6.1
575






Titolo del film

Let It Snow

lacontinuazione

176 minutes

laedizione

2019-11-08

La Qualità

AVI 720p
BRRip

Categoria

Romance, Comedy

Il lessico

English

Castname

Cocteau
W.
Orva, Doyon T. Laurene, Swann S. Luna





[HD] Let It Snow 2019 Streaming Eng



Cortometraggio

Speso : $782,825,299

Entrate : $445,285,876

Categoria : dalla polizia - Identità , Devozione - Césarisé , Viaggi - Da Conspiracy Rain Émouvant De Vampire , Sperimentale - Fiducia

Paese di produzione : Afghanistan

Produzione : Cofinova 5






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BlacKkKlansman 2018 Streaming Eng

BlacKkKlansman 2018 Streaming Eng









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BlacKkKlansman 2018 Streaming Eng




Squadra di Film

Dipartimento artistico di coordinamento : Shaheen Ariana

Coordinatore degli stuntman : Jagjot Vernia

Layout dello script :Charna Adriano

Immagini : Warner Elly
Co-Produzent : Amber Mahee

Produttore esecutivo : Litzy Ethyn

Direttore della supervisione artistica : Arroyo Sahid

Prodotti : Dubé Kala

Produttore : Eleniak Shayla

Attrice : Barron Esteban



Colorado Springs, late 1970s. Ron Stallworth, an African American police officer, and Flip Zimmerman, his Jewish colleague, run an undercover operation to infiltrate the Ku Klux Klan.

7.6
4115






Titolo del film

BlacKkKlansman

lacontinuazione

176 minutes

ilrilascio

2018-07-30

La Qualità

MPEG 1080p
HDTV

Categories

Crime, Drama, History

La lingua

English

Castname

Jordan
M.
Alison, Pratt J. Bill, Zeynab B. Huzayl





[HD] BlacKkKlansman 2018 Streaming Eng



Cortometraggio

Speso : $117,964,605

Entrate : $514,001,740

Categoria : Blaxploitation - Donne , Cannibali - Esilarante , Tesi - Semplice , Narrativa - Surreale

Paese di produzione : Irlanda

Produzione : Ludus Entertainment



The way _BlacKkKlansman_ ends, felt in terms of formula almost as if I was supposed to have just seen some unsubtle propaganda, which seemed a very unusual note to go out on. It did sort of make me step back a bit, but it absolutely did not temper my enjoyment of the movie. I was engaged from the word go, and everybody in it is **so good**.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Polemical, didactic, confrontational, angry, trenchant - a state-of-the-nation address_**

> _We made a contemporary-period film, and it's about what's happening in the world today. Don't make the mistake that this stuff is just happening in the United States; it's worldwide._
>
[...]
>
_One of the things I know will happen is that when this guy in the White House, when he's gone, and historians look back on him, they're going to look at what he said, his comments about Charlottesville, where he cannot make the distinction between love and hate. He co-signed the Klan, he co-signed t__he alt-right and he co-signed neo-Nazis and I think that gave those terrorist groups, homegrown American terrorist groups, a green light._

- Spike Lee; "_BlacKkKlansman_'s Spike Lee On Trump's Legacy, Harry Belafonte & 2020 Election - Awardsline Screening Series"; _Deadline_ (January 10, 2019)

_BlacKkKlansman_ is a film with a whole hell of a lot on its mind. It opens with one of the most (in)famous scenes from Victor Fleming's _Gone with the Wind_ (1939), before pivoting to a fictional precursor of Alex Jones lecturing the audience on the dangers of the "negroid", and later takes in everything from Kwame Ture and the All-African People's Revolutionary Party to David Duke and his political aspirations, before lambasting D.W. Griffith's _The Birth of a Nation_ (1915), criticising the tropes of classic Blaxploitation films such as Gordon Parks's _Shaft_ (1971), Gordon Parks Jr.'s _Super Fly_ (1972), and Jack Hill's _Coffy_ (1973), going into agonising detail regarding the 1916 lynching of Jesse Washington, sardonically criticising police bureaucracy, and concluding with a montage of the 2017 Unite the Right rally in Charlottesville, Virginia, including raw footage of James Alex Fields, Jr. ploughing a car into a crowd of counter-protestors, resulting in the death of Heather Heyer, intercut with Duke championing Donald Trump's presidency, and Trump's own reluctance to condemn the Neo Nazi/white supremacist component of the rally. The film then ends with an evocatively worded tribute to Heyer, before fading to an upside-down black and white American flag (which is not, as is often stated, a political protest, but is actually a governmentally approved signal for "dire distress"). Yep; this is a film with a lot to say.

At its core, _BlacKkKlansman_ is about institutional racism in the United States. Ostensibly dealing with the 1970s manifestation of such, the film's real point is that in 2018, not only is such racism still a problem, it's now even more endemic, due to its pseudo-legitimacy in the wake of Trump's election, and the concomitant upsurge in hate crime across the country. The film holds a mirror up to the contemporary era by way of presenting an historical event which both underlines the inherent nonsensicality of white supremacist attitudes, whilst also pointing out just how dangerous idiots like this can be in a country where guns are so readily available, where being a member of an organised hate group is not illegal, and where the belief that "white is right" reaches to the upper echelons of power.

On the surface, the film plays out as you would expect from the trailer - it's a frequently hilarious look at the true story of how a black police officer infiltrated the Ku Klux Klan. In 1979, Ron Stallworth (John David Washington) became the first black officer in the Colorado Springs PD. Initially assigned to the records room, Stallworth talks his way into an undercover investigation run by Detectives Flip Zimmerman (Adam Driver) and Jimmy Creek (Michael Buscemi), who have him attend a lecture being given by Kwame Ture (Corey Hawkins) with orders to report on the mood and attitudes of the crowd. Although taken with Ture's rhetoric, Stallworth nevertheless carries out his assignment, and is subsequently transferred to intelligence. Seeing an advert for KKK membership in the newspaper, Stallworth rings the number on a whim. Pretending to hate everyone who doesn't have "pure white Aryan blood running through their veins", Stallworth is invited to meet. He then hatches an insane plan to use Zimmerman as the in-person Stallworth, whilst Stallworth himself will continue the phone conversations. At the meet-and-greet, Zimmerman/Stallworth is introduced to the unstable Felix Kendrickson (a superb Jasper Pääkkönen), who is immediately suspicious of him. Nevertheless, he's approved for membership. However, unhappy with how long the paperwork is taking, Stallworth rings KKK headquarters, and is shocked to find himself on the phone with "Grand Wizard" David Duke (Topher Grace), who he impresses to such an extent that Duke promises to expedite his membership.

And with this completely barmy premise as the hook, co-writer/director Spike Lee (_Do the Right Thing_; _Malcolm X_) has made his best film since _25th Hour_ (2002), and his funniest since _Bamboozled_ (2000), possibly the funniest of his career. Of course, Lee is far from the first person to see humour in the idea of a black person joining a white supremacist organisation – perhaps the best known example is Dave Chappelle's character, Clayton Bigsby, a blind black man unaware of his ethnicity, who has become the leader of a local KKK sect. However, where the film is unique, and where it excels, is in how Lee uses history to offer viciously trenchant commentary on race relations in 2018.

His combative intent is signalled in the first scene, which is actually a scene from another film; _Gone with the Wind_, as Scarlett O'Hara (Vivian Leigh) looks for Dr. Meade (Harry Davenport) in the wake of the Battle of Atlanta in July 1864. A resounding victory for the Union, the battle bolstered confidence in Abraham Lincoln's leadership, and precipitated the Confederate States of America's surrender the following year. The scene depicts O'Hara picking her way through the thousands of wounded and dead Confederate States' soldiers as a crane shot pulls back to show the devastation, finally coming to rest on a tattered Confederate Navy Jack. The implication here, as elsewhere in the film, is clear – this is very much the world of the Lost Cause of the Confederacy, the belief that prior to Reconstruction, the Antebellum South was an urbane and benign society, with the Confederacy heroically fighting the corrupt Union so as to preserve the inherently honourable southern way of life. Important in this skewered worldview is the contention that the practice of slavery was a benevolent institution, protecting the "coloureds" from their own worst predilections, and who, rather than being abused, were treated like members of the family who owned them. Lee first saw Gone with the Wind on a third-grade class trip, and of the experience, he states,

> _that film disturbed me. The imagery of Hattie McDaniel and Butterfly McQueen – "I don't know nuthin' 'bout birthin' no babies" – I mean, there was no discussion at all about the imagery._

Lee keeps up the confrontational tack in the film's second scene, as _BlacKkKlansman_ segues into the first of two key scenes to reference another important filmic text set during the Civil War; D.W. Griffith's 1915 masterpiece _The Birth of a Nation_. This scene depicts the fictional cultural anthropologist Dr. Kennebrew Beauregard (Alec Baldwin), who, in grainy black-and-white footage tries to alert the audience to the fact that the negorids are attempting to take over the country. Obviously inspired by maniacs like Alex Jones, Beauregard is about as irrational as they come, and his frustration as he continually flubs his lines superbly undercuts any claim he may have to seriousness. But what's especially well done is how Lee uses _Birth_ to mock this type of individual. As footage of the film plays behind Beauregard, his face is erased of its colour – he is literally rendered white enough to become part of the projected image, which, of course, depicts a narrative built around the inherently virtuous nature of being white. It's a powerful shot that clearly tells us, yes, this is a comedy, and yes, these people are ridiculous, but also alerting us to the fact that Lee is not playing around here; he's going to use every filmic tool in his arsenal to get his point across.

And what is that point? The cultural instability of the United States in 2018, with its entrenched institutional racism, an entire race of people once again being treated like second class citizens because of the amount of melanin in their skin, hateful rhetoric masquerading as national pride, the breakdown of the distinction between xenophobia and patriotism, and the transition of hate crimes from the fringes of society into the realm of social acceptability. The film suggests that organisational racism once existed half-way between the absurd and the dangerous, but in recent years, it has moved in the wrong direction. Even before we get to the chilling closing montage, Lee and his co-writers (Charlie Wachtel, David Rabinowitz, and Kevin Willmott) have dropped a few subtle allusions to Trump's presidency. In one scene, Stallworth confidently asserts that it doesn't matter how much of a legitimate businessman Duke becomes, and no matter how much he hides his racism behind more patriotic rhetoric such as immigration and crime, the country would never elect a crass, hate-filled racist as president. In another scene, Duke explains he and the KKK are "_making America great again_." These two allusions would be enough to get the point across, but it would also mean that that point remains in the realm of comedy, and is therefore easily dismissed. The closing montage changes that, as it drops all pretence of humour in depicting what happened in Charlottesville, and Trump's asinine response ("_You had some very bad people in that group, but you also had people that were very fine people, on both sides_"). This is very much a state-of-the-nation address.

In relation to _Birth of a Nation_, of course, things are more complicated than they are in relation to _Gone with the Wind_. Yes, the film is horrifically racist, and yes, it was singlehandedly responsible for the 20th-century revival of the KKK, but it is also probably the most important film ever made, and literally wrote the book on screen grammar. Conceivably, _Gone with the Wind_ could be removed from the canon and no longer taught, but _Birth_ absolutely could not. It is a foundational text, an undeniable landmark film, completely independent of its politics. Lee saw it during his first year at NYU, stating,

> _they taught us all of the cinematic innovations Griffith had come up with, but they left out everything that had to do with the social impact of the film. That this film re-energized the Klan. The Klan was dormant, it was dead, and the film brought about a rebirth. Therefore, because of the rebirth of the Klan, it led to black people being lynched, strung up, castrated and murdered, but that was never discussed! I have no problem with Birth of a Nation being screened […] but let's put it in context, let's discuss it._

_Birth_ is based on Thomas F. Dixon, Jr.'s 1905 novel T_he Clansman: A Historical Romance of the Ku Klux Klan_ - the second book in his KKK trilogy (the first is _The Leopard's Spots: A Romance of the White Man's Burden - 1865-1900_ (1902), and the third is _The Traitor: A Story of the Fall of the Invisible Empire_ (1907). As these titles suggest, all three novels valorise the practises and institutions designed to oppress black people, whilst depicting emancipated slaves and Yankee carpetbaggers as the "real" villains behind the Civil War, positing that the plight of the freedmen during Reconstruction was a direct result of their liberation (i.e., they (and the south in general) would have been better off had they remained slaves). In Dixon's depiction of the lawless society of the south, created by the Union, where coloureds can walk around freely, southern whites have become the target of racial violence, with freedmen being particularly fond of raping white women. In the trilogy, the Klan are depicted as arising from this maelstrom, honourable and heroic men forced to reluctantly take the law into their own hands so as to stop the rampage. So influential was the film that the modern KKK practices of wearing white hoods and burning crosses come from it, not from the original 1865-1871 incarnation of the Klan.

As mentioned, Lee uses the film twice – in the Beauregard scene, and in a later scene where his use of it speaks to the formal complexity of his own work. One of the most important of Griffith's innovations was that of parallel editing (better known today as cross-cutting), something we all take for granted in everything from films to commercials to music videos. In a nutshell, parallel editing is when two separate actions from two separate locations are intercut to suggest they are happening simultaneously, often, but not always, to heighten tension. It's one of the most fundamental components of screen grammar, so much so we don't even think about it today – we just take it as given. However, Lee's genius in this scene is that he uses _Birth_ to mock the Klan by way of, you guessed it, parallel editing. As the KKK sit down to watch _Birth_, Lee intercuts their enjoyment of its absurdities with Jerome Turner (Harry Belafonte) telling the story of the barbaric lynching of Jesse Washington, which saw a crowd of over 10,000 people in Waco, Texas, cheering on as his testicles and fingers were cut off, after which he was slowly burned to death by being continually raised over a fire. Lee uses parallel editing here so as to have one scene comment on the other – he is literally using _Birth_'s own innovations against it and what it represents. _Birth_ may be politically abhorrent, but Lee is savvy enough to not only recognise its technological importance, but to co-opt that importance and use it for his own ends, showing us the stunned reaction to a vicious murder contrasted with a celebration of the conditions which led to that murder.

As all of this may suggest, yes, the film is preachy, but that's because Lee is preaching. He makes no apology for such. This is polemic filmmaking, and the move into heavy didacticism in the final montage is completely earned.

On a more formal level, Lee thematically employs many of the aesthetic devices for which he has become known – whether it's a pronounced dutch angle during Stallworth's phone conversations with the KKK to indicate just how surreal the whole thing is, disembodied heads fading into one another during a powerful Ture speech, or, of course, the double dolly shot, which he has used in most of his films to suggest disillusionment and/or the characters' inability to control their own actions as they are inexorably pushed forward, divested of the contextualisation of their environment.

All of this is not to say the film is perfect, however. For example, it relates the apocryphal story that when Woodrow Wilson saw _Birth_, he commented, "_it is like writing history with lightning_." Wilson never said this; the quote was most likely the invention of Thomas F. Dixon Jr., who was promoting the film at the time. Lee must know this, and it does his cause no good to perpetuate a lie. How he employs the double dolly also raises some interesting problems, suggesting, as it does, that orthodox black activism and underground black militancy must combine forces in the face of hate. The film also glosses over Stallworth's time in COINTELPRO, where he worked to sabotage radical black organisations, because this doesn't fit into the overarching theme the film is constructing. Making Zimmerman Jewish is also troubling (the real person he was based upon is known only as Chuck, and all we know about him is that he definitely wasn't Jewish). Is Zimmerman supposed to represent Republican voters who abhor the KKK as much as the political left do? Who knows, because beyond being Jewish, there's no further character development; he's more of a rhetorical device, a meme rather than a person with an inner life. Similarly, the fictional explosion towards the end of the story serves to distastefully simplify everything, once more making the KKK look foolish, something which is wholly unnecessary at this point in the film, whilst also positing Stallworth as a clichéd movie hero, something Lee has avoided up until this point.

These are relatively minor complaints, however. Look, Lee is far from my favourite filmmaker. I really disliked _Malcolm X_ (1992), for example, probably his most celebrated film, and he has justifiably been accused of racism himself on multiple occasions. None of that, however, changes the fact that this is an hilarious, powerful, insightful, and frightening piece of work.

Vital filmmaking from an angry filmmaker.

Also nice to see Clay Davis…sorry, Isaiah Whitlock, Jr. pop up in a throwaway part, but still get to deliver his catchphrase. Seriously, how many actors these days have a catchphrase? Sheeeeeeeeeeeettttttttttttttt.


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Jumat, 23 Februari 2018

The Hills Have Eyes 2006 Streaming Eng

The Hills Have Eyes 2006 Streaming Eng









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The Hills Have Eyes 2006 Streaming Eng




Filmteam

Dipartimento artistico di coordinamento : Doherty Antony

Coordinatore degli stuntman : Hibo Elena

Layout dello script :Gould Imtiaz

Immagini : Keshawn Naor
Co-Produzent : Tayab Simba

Produttore esecutivo : Mélina Isaure

Direttore della supervisione artistica : Joan Adelphe

Prodotti : Boutin Galla

Produttore : Gaston Ureeba

Attrice : Britt Sanusi



Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.

6.3
1575






Titolo del film

The Hills Have Eyes

lalunghezza

196 minute

Ladistribuzione

2006-03-10

E Pregio

FLA 1440p
DVDScr

Categorie

Horror, Thriller

Il linguaggio

English

Castname

Sahar
H.
Ayala, Hermila V. Nazima, Anokhi W. Fluet





[HD] The Hills Have Eyes 2006 Streaming Eng



Cortometraggio

Speso : $723,851,976

Entrate : $563,455,484

Categoria : Cervello - Césarisé , Spada - Surreale , Fuga - Aborto , Horror - Etnografico

Paese di produzione : Timor Est

Produzione : TMS Entertainment


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The November Man 2014 Streaming Eng

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