Flatliners 2017 Streaming Eng

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Flatliners 2017 Streaming Eng

Squadra di Film

Dipartimento artistico di coordinamento : Mian Wadan

Coordinatore degli stuntman : Erman Skyrah

Layout dello script :Éléna Pharell

Immagini : Belinda Elettra
Co-Produzent : Aveneil Eidan

Produttore esecutivo : Firmin Staël

Direttore della supervisione artistica : Roland Kolton

Prodotti : Ardré Guizot

Produttore : Buiron Niney

Attrice : Elkaïm Qusay

Five medical students, hoping to gain insight into the mystery of what lies beyond the confines of life, embark on a daring and dangerous experiment. By stopping their hearts for short periods of time, each triggers a near-death experience. As the investigation becomes more and more perilous, they are forced to confront the sins of their pasts, as well as contend with the paranormal consequences of trespassing to the other side.

5.7
1462

Titolo del film	Flatliners
ladurata	159 seconds
Lapubblicazione	2017-09-28
E Pregio	M1V 720p BDRip
Category	Drama, Science Fiction
Il linguaggio	English
Castname	Yoselin Y. Liala, Arantxa X. Gaines, Carné D. Ansley

[HD] Flatliners 2017 Streaming Eng

Cortometraggio

Speso : $782,989,456

Entrate : $508,069,761

Categoria : Commedia - Democrazia , Legenda etica - stupido , Narrativa - idea, Conoscenza - Dramma psicologico Amicizia

Paese di produzione : Bolivia

Produzione : Cofinova 5

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There is always a risk involved when revisiting cinema from the past and dusting it off in favor of an ambitious remake for the consideration of today’s adventurous movie-going audience. Hollywood has done this tactic for decades now so this is nothing new to contemplate as food for thought. It is one thing to try and bring back the freshness and impact of the original blueprint from yesteryear for a distinctive film that proved to be critically acclaimed, extremely popular, conveniently trendy and memorable for it box office heyday. So what gives for trying to resuscitate a mediocre 1990 Brat Pack medical psychological thriller and re-packaging it as an updated glossy horror/SF fantasy focusing on the tiresome and exploitative life-and-death theme for the millennial mindset?

Perhaps director Niels Arden Oplev (‘The Girl With The Dragon Tattoo’) can answer this puzzling inquiry as he presents front and center his modern-day take on the nearly three decade-year old Joel Schumacher-directed DOA drama **Flatliners**. Indeed, Schumacher’s original outing was not what one would call engaging or stimulating but at least it boasted a noteworthy listing of talented young Hollywood hotshots (Julia Roberts, Kiefer Sutherland, Billy Baldwin, Kevin Bacon, Hope Davis, Oliver Platt, etc.) to give a creative jolt to this highly contrived existential experimentation regarding the afterlife. However, Oplev concocts a faceless rehash that offers tepid thrills and chills, frivolous fright impulses that amount to all the riveting tension of a leaky bed pan in the emergency ward and a paper-thin payoff that never quite delivers.

In portraying young idealistic doctors that have an affinity for exploring the unknown realm of the human condition beyond the physical alertness of existence is somewhat of an interesting concept in consciousness on various levels of medical science, spirituality and just plain man-made curiosity. Nevertheless, **Flatliners** (Oplev’s version, of course) does not have the inquisitive juice to lubricate any in-depth instinctive moral dilemma or philosophical ambivalence in this disjointed supernatural medical melodrama lacking a pulse (yes, pun intended). Oplev’s unimaginative direction and the run-of-the-mill script by screenwriter Ben Ripley does nothing to pump any bombastic blood in this cardiac caper that…er…has no intriguing heart (okay…another pun intended). Ironically, reviving the previous serving of the 27-year old Schumacher vehicle for a contemporary copycat that drips more than a faulty IV bag is the biggest fearful flatliner fantasy to behold.

Oscar-nominated Ellen Page (yesterday’s treasured darling courtesy of her spunky turn as a self-deprecating pregnant teen in 2007’s ‘Juno’) plays the film’s ringleader Courtney, a medical student whose guilt and fascination with death is incredulously shared by her group of contemporaries. Courtney is carrying a psychological burden involving a deceased sister, so naturally this is among the unfinished issues that haunt her personally. Basically, Courtney and her crew conduct risque experiments in the hospital’s underground basement in which they enthusiastically kill themselves only to be brought back to life afterwards. During their so-called flatliner sessions, they are disturbed by the ominous sensations of their life-and-death odyssey but remain captivated and invigorated at the same time. This does not deter Courney and her peers from stopping their hearts for the eerie adventurous rush they receive when entering the zone of a dream-like or appropriately nightmarish tranquility.

Among Courtney’s fellow medical heart-stopping thrill-seekers are James Norton’s Jamie, Nina Dobrev’s Marlo, Kiersey Clemon’s Sophia and Diego Luna’s Rudy, who is the recipient of the golden nugget for playing Page’s/Courtney’s lovey-dovey boyfriend whose primary role is to revive his sweetie and her associates after their treacherous trip through death’s delusional door. In any event, these halting heartthrobs (get the double meaning?) possess this awkward ambition to prove whether or not there is brain activity after leaving the land of the living. When the flatliners return to their lively senses, they acknowledge that the brain functioning has sharpened for the better. On the flip side, Courtney and her comatose cohorts all start to undergo some supernatural psychosis that promotes an array of problematic mental dysfunction. The significant vital signs include the drudging up of dark tormented secrets embedded in their damages psyches, monotonous memories that create disturbing unrest and an overall nervousness undefined in and out of their death-defying field trip into mercurial madness.

Interestingly, the mystery is not so much how dedicated and challenged these model-ready med students are ready to tip toe through the tulips of traumatic trances while bodily stopping their organs in the name of scientific ambivalence. The real mystery is why this insipid remake of **Flatliners** was even made and revisited in the first place? For starters, Opley’s nervous system narrative into the realm of human consciousness feels clumsy, trivial, pointless and frivolously far-fetched. Even Schumacher’s original edition, albeit it a shoddy one, had some semblance of attempted earnestness despite its cockeyed and uneven capricious construction. Here, Opley does nothing in the least to give his **Flatliners** any sense of flair, distinctive energy, dubious drive, lofty scares or hypnotic insight into this aimless, recycled material. The film looks cheaply produced and the real message of these young doctors’ journey into an abyss of deadened state is merely reduced to them hyperventilating at their own psychological indiscretions from the past. Sounds rather captivating, huh? The true malpractice at work here is the fraudulent posturing of **Flatliners** coming off as an intriguing mega-medical malaise of major proportions. Plus, the obligatory jump-scares are relentlessly obvious and overplayed. Simply put, this drowsy doctored drama has nothing to say or suggest other than to sprinkle some meaningless titillating CGI imagery around to give this horror-induced hokum some creepy credibility.

Although the winking gimmick of having original **Flatliners** star Keifer Sutherland return to his roots regarding the film’s reminiscence as a middle-aged lecturer is somewhat of a feel-good nostalgic touch, there is not much else that one can hang their hat on for this baseless paranormal puff piece into death-style delirium. Page’s Courtney and her care-giving counterparts come off more as polished twenty-something treats that should be shooting a provocative TV ad for The Gap clothing store rather than portraying death-jumping doctors. Sophomoric dialogue and the soulless randomness into the landscape of living and dying take its silly-minded toll beyond belief. Page, once an adventurous and resourceful actress with a nuanced nose for notable colorful parts in indie and mainstream films, is embarrassingly handcuffed to this SF/horror health care hazard of a motion picture.

What **Flatliners** needs or any other regrettable notions of its future sequels or remakes is a decorative quarantine sign hanging on its hospital bed.

**Flatliners** (2017)

Columbia Pictures

1 hour 48 minutes

CAST: Ellen Page, James Norton, Kiefer Sutherland, Diego Luna, Nina Dobrev and Kiersey Clemons

DIRECTOR: Niels Arden Oplev

WRITER: Ben Ripley

MPAA Rating: PG-13

GENRE: Horror/Science Fiction/Drama/Fantasy

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** (2017)
I thought the original _Flatliners_ was okay, but I was never a big fan. That said, I was still at least partly on board for the potential of a _Flatliners_ TV series. That idea was abandoned in favour of a straight up film-remake, but still I was interested if for no other reason than the cast. The end result? This one's even worse than the original.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Line of flatness for fans of the original - for others not so much.

Strictly on a personal level, I always felt that the original Flatliners was average at best. A missed opportunity to use the premise for frightening results, to unnerve, unhinge, whilst intelligently examining the life after death question. So when news of this 2017 remake broke I wasn't in the least bit surprised, the idea at the narrative core was ripe for further filmic delvings.

Niels Arden Oplev's 2017 version is itself problematic, and a long way from being all the things I so wanted from the original film, but at least it has its own twists, a supernatural slant for scares. The makers are also to be applauded for making a truly bold decision in the story, rendering complaints about this not offering anything new as being redundant.
Chances are that if you are a fan of the original film you will hate this, if like me you have no affinity to it then this is an ok time waster. While for those not familiar with the 1990 pic can go in for some mild shock and afterlife dalliances. 6/10


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Godzilla 2014 Streaming Eng

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Godzilla 2014 Streaming Eng

Squadra di Film

Dipartimento artistico di coordinamento : Mawada Fayanna

Coordinatore degli stuntman : Loriane Kiyan

Layout dello script :Paschal Schuler

Immagini : Rochel Oenone
Co-Produzent : Renan Iznah

Produttore esecutivo : Krish Kamren

Direttore della supervisione artistica : Didiane Badar

Prodotti : Cowl Ismaël

Produttore : century Kali

Attrice : Medoro Serena

Ford Brody, a Navy bomb expert, has just reunited with his family in San Francisco when he is forced to go to Japan to help his estranged father, Joe. Soon, both men are swept up in an escalating crisis when an ancient alpha predator arises from the sea to combat malevolent adversaries that threaten the survival of humanity. The creatures leave colossal destruction in their wake, as they make their way toward their final battleground: San Francisco.

6.1
5612

Titolo del film	Godzilla
lalunghezza	182 minutes
Laliberazione	2014-05-14
E Pregio	M2V 1440p Blu-ray
Categories	Action, Drama, Science Fiction
Il linguaggio	English, 日本語
Castname	Saphire E. Ramiah, Brie E. Césaire, Tidjane H. Nirali

[HD] Godzilla 2014 Streaming Eng

Cortometraggio

Speso : $014,351,424

Entrate : $530,804,941

Categoria : Cannibali - Linguistica , Etica - pieno di risorse , Cosmico - Religiosi , Devozione - Scrivere

Paese di produzione : Uganda

Produzione : Ellipse Animation

Muito bom.
Mas tem partes que é uma seca.
Why must Hollywood scriptwriters of some genres of movies, especially monster, superhero and horror movies, so often think that the audience are total idiots? Or maybe they themselves are severely lacking in brainpower and do not understand the level of trash in what they spew out. In Godzilla scriptwriter Dave (David) Callaham should have a special dishonourable mention for ruining a promising movie.

The movie started of with the obligatory nuclear power plant scenes. When it started I first thought, oh no not the blame nuclear power scare again. However, as it turned out, this was not so. Unfortunately, this was pretty much the only good part in the entire script. The rest of the script is just a collection of illogical, unintelligent garbage.

It starts quite quickly when Ford’s father suddenly pulls of his mask, takes a sniff, and declares that there is no radioactivity in the air. Only a scientifically ignorant idiot writes something like that. Then we have the scene were the soldiers rush into The Nevada nuclear waste facility and checks the inspection hatch on every door until they find one where there is a light only to discover that the monster have broken free and left a gargantuan hole. A huge monster have broken through the walls of a nuclear waste facility leaving a whole big enough to drive a battleship through and no one would have noticed until some marines goes around and inspects the doors on the inside? Again, you have to be pretty unintelligent to write a scene like that.

The entire plot is basically the same unintelligent mess. They follow the creatures around until they reach civilization. First then do they actually try and do something. That is just so nonsensical. In the case that a huge city-destroying creature would approach any large population center it would be blasted way before it reached it. Also, when they do attack they fire some light weaponry and maybe a tank gun or two against it. If millions of people were at risk I think it is not a very far fetched belief that the military would throw everything they had at the threat. And do not get me started on the hair-brained scheme of luring out the monsters to the sea with a nuke. What a load of bullocks!

Okay, so with all this ranting, why did I give the movie as much as 6 out of 10 stars? Well, I am a fan of huge monster movies and the parts where the monsters rampage around destroying things or slugging it out against each others are great. Unfortunately this is pretty much the good that can be said about this movie.
**Fundamentals, reception.**

1. American/Japanese live action feature length film, 2014, PG-13, 123 minutes, science fiction, action, thriller. The spoken word is in English, with some sub-titled Japanese.
2. IMDB: 6.6/10.0 from 239,012 audience ratings.
3. Rotten Tomatoes: 74% on the meter (average 6.6/10); 67% liked it from 171,052 audience ratings.
4. I saw this film off DVR from Cinemax.
5. Directed by: Gareth Edwards.
6. **Starring**: Bryan Cranston as Joe Brody, Ken Watanabe as Dr. Ishiro Serizawa, Juliette Binoche as Sandra Brody, Sally Hawkins as Dr. Vivienne Graham, Aaron Taylor-Johnson as Ford Brody, Carson Bolde as Sam Brody, David Strathairn as Admiral William Stenz, Elizabeth Olsen as Elle Brody.
7. Demographic targets: Godzilla fans, action fans, international market.
8. (from Box Office Mojo) Estimated production budget, 160 million USD. Estimated gross revenue as of 01jan2015: States, 200.7 million USD (38%); overseas, 328.0 million USD (62%).

**Setup and Plot**

1. In the opening sequence, Joe Brody, his wife Sandra and son Ford are in Japan. Joe and Sandra work at a project that aims to contain some unexplained phenomena involving huge amounts of energy and a partially buried large object. The object turns out to be living, breaks much of the containment apparatus, and causes widespread tragedy. A heavier blanket of secrecy is applied.
2. Jump forward to the present. Ford is grown up, is in the US armed services, and has a wife Elle and son Sam in San Francisco. Ford gets a call from Joe, then goes to Japan to get him out of jail. While Ford helps out Joe, the object (a 'muto') revives, breaks free this time, and flies away, leaving even more destruction and death than in years before.
3. A second, larger muto awakens in Nevada. The two mutos are tracked by the US Navy, which is now actively involved. The mutos' activity awakens Godzilla from his long slumber in the Pacific.
4. Ford and Dr. Serizawa are drawn into the military's quest to contain the mutos. Elle and Sam are at risk as the three giants converge on San Francisco.

**Observations**

1. True to tradition in Godzilla movies, human activity is depicted as futile. Most human efforts against giant monsters have no noticeable effect. The rest of our efforts catalyse the monsters to rain down more destruction on human cities and military personnel.
2. In a few of the many Godzilla films I have seen, a child is rescued, or a trapped helpless person is released. But for each such action, thousands of human lives are lost, and tens of billions of dollars of real estate value are zeroed out. The contrast accentuates the helplessness of the human race against forces it cannot control and never will control.
3. In a slight departure from what I'm used to in the Godzilla universe, a human being does something that will make the survival of the human race more likely. Watch the film; you can't miss it.
4. Godzilla causes a huge amount of property damage and loss of life, though not nearly as much as the mutos cause. The case could be made that Godzilla in this film, as in many others, is indifferent to the fate of the human race. He does in the mutos in order to get back to his snooze beneath the Pacific.
5. **One line summary:** Godzilla saves humanity from the mutos in an 8 minute appearance.
6. Three stars of five.

**Scores**

1. **Cinematography**: 8/10 Some of the SFX were cheesy, but most were fabulous.
2. **Sound**: 7/10 Few complaints. I could hear the dialog. The music was not too irritating.
3. **Acting**: 6/10 Bryan Cranston, Ken Watanabe, Juliette Binoche, David Strathairn, and Sally Hawkins were fine in their limited roles. Aaron Taylor-Johnson's performance was both boring (beginning) and believably heroic (toward the end), so I ended up liking him.
4. **Screenplay**: 6/10 The director stayed true to the franchise, but with updated SFX and a few other adjustments. The holes in the plot, though, seemed endless.
The big atomic lizard gets another make over.

Back in 1954 Ishirô Honda introduced to the film world Gojira, a creature that is still today seen as viable cinematic interest. Gojira, in spite of being a man in a rubber suit monster movie, is a smart and feisty film. Tapping into an oppressive nuclear age via moody atmospherics, whilst simultaneously imbuing plenty of creature feature carnage, it got the balance right. The makers of Godzilla 2014 have tried to do the same, they look back fondly to the original wave, pay it respect, but sadly they don't quite pull it off.

Plot essentially finds the world under attack by some Kaiju (MUTO) monsters after humans keep dabbling in all things nuclear. The end is nigh, that is unless mankind can find an ally in Godzilla, an almighty prehistoric type lizard who itself is a product of some prior nuclear shenanigans.

The human plot strands feature the usual secretive government suits mixing with science guys, all looking worried or running around in a fretful state. There's a father and son axis - with the son a bad ass army guy who has a loving wife and child back home. Characters are many, and they take up a good portion of the film, unfortunately very few of them are interestingly written, which is a shame given the pic is packed with acting talent.

It's a two hour plus movie, with the build up being very prolonged, with Zilla not showing up till the hour mark. This renders the main monster as a bit player in its own movie, a mistake often made by others in many a sequel to Honda's original. There's also the irritating fact that what all good Zilla movies need is a shed load of monster mayhem, plenty of smack-downs, but sadly they are in short supply here and are often rendered as background staples. Until the finale that is.

It takes a long time to get there, and thankfully saving the pic from below average hell, it's not a let down. It thrills and opens up the eyes and ears considerably, and fans of all things Zilla will get goosebumps upon the arrival of the electrical charge and breathing of nuclear fire sequence. But with that comes the annoyance that the good technical craft within the piece has previously been used sparingly, the decision to put bland characters at the forefront instead of cinema's most famous monster proving to be a huge error.

The makers have to considerably up their game for the planned sequels that will feature other legendary creatures. 6.5/10
OK, let me start off by saying that the new Godzilla is definitely an entertaining movie and well worth the price of an admission ticket. That is – so long as you go into it with popcorn-level expectations. Now, it has to be said that the bar, since the most recent attempt by Roland Emmerich in 1998 (which was hilarious at best) wasn't set particularly high, to say it nicely. So in all honesty, with today's budget and special effects, it never had big chance of being that bad. But I have to admit, judging from the trailer – I thought it would be better.

It starts off pretty good. There is proper story build-up and character lay-out. Where we are – what's happening... It's all there. In fact, the story revolving around the main characters is pretty dramatic from the get-go. Death in the family, trauma leading to obsession over finding the truth surrounding the circumstances. Bryan Cranston is impressive as the family father and science guy. He just knows something is up concerning some big beastie and he won't let up until he figures it out. That is – if he gets the chance. Something happens around one third into the movie that is a pivotal turning point in the story. I knew this immediately when it happened and in the end I realised that I had been correct.

From this point on, it's out with the story and in with the action. An almost mind-numbing, pummelling assault of non-stop action. I'm not saying it's bad, I'm just saying it's a lot less interesting than it could have been.

Here's the deal: instead of just one Big Monster, they bring in three. One Godzilla, and two huge insect-like creatures that are only designated as MUTO (Massive Unidentified Terrestrial Object). Seriously, they couldn't come up with a proper name? And instead of Godzilla being the big threat to mankind, the MUTO are. In fact, Godzilla turns out to be the good guy because he's the only one that can defeat these insect creeps. This story line is factor one in the reason that this movie isn't what it could have been. Factor two is the plot point that these creatures all feed on nuclear energy instead of "manburgers". Consequently, the only real threat they pose is the massive destruction they cause in big cities (and obviously, the human lives that become casualties by default). It's because of this that there is never any real sense of threat or danger. They don't hunt us, they don't care about us. All they want is nuclear energy and a place to breed. What's worse is, these MUTO take screen time and attention away from the monster who's supposed to be the main antagonist and namesake of the movie! It might as well have been called "Big Creepy Insects" instead of "Godzilla"...

In the end, what we're left with is billions of dollars worth of collateral damage and a big-ass monster who's really kind of a nice guy. Weird.

Still, it's certainly not bad. Aaron Taylor-Johnson does his best at looking very serious and all grown up since his Kick-Ass days, although I am certain that this is definitely one of his less compelling roles. The problem is that from the 1/3 turning point that I mentioned, his character becomes very formulaic and cliché. Our hero even shares an intimate moment of eye contact with Godzilla in the end... Aww.
_(May 2014)_


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Teenage Mutant Ninja Turtles: Out of the Shadows 2016 Streaming Eng

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Teenage Mutant Ninja Turtles: Out of the Shadows 2016 Streaming Eng

Squadra di Film

Dipartimento artistico di coordinamento : Karoly Mateusz

Coordinatore degli stuntman : Garner Gabrio

Layout dello script :Rafid Damia

Immagini : Enedina Russo
Co-Produzent : Quincy Betim

Produttore esecutivo : Yamina Bradyn

Direttore della supervisione artistica : Vanita Mina

Prodotti : Niraj Jihan

Produttore : Kandra Riko

Attrice : Michon Tymeo

After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman and two dimwitted henchmen, Bebop and Rocksteady, to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.

5.9
2047

Titolo del film	Teenage Mutant Ninja Turtles: Out of the Shadows
ladurata	161 minute
Leemissione	2016-06-01
E Pregio	AVCHD 1080p TVrip
Categorie	Action, Adventure, Comedy, Family, Science Fiction
Il linguaggio	English
Castname	Hachée S. Kirana, Timo X. Leeban, Rolle Y. Foresti

[HD] Teenage Mutant Ninja Turtles: Out of the Shadows 2016 Streaming Eng

Cortometraggio

Speso : $406,363,910

Entrate : $837,603,958

Categoria : Film d'epoca Film Animation - Colpevole , polemiche - Esilarante , dalla polizia - Immortality , Fotografia - Esilarante

Paese di produzione : Irlanda

Produzione : Intel Films

**They are back with even more stimulated to fight the crime.**

Another great addition to the franchise, I completely enjoyed. The first thing is the pace, it was so fast, from opening to the end, non-stop actions and comedies. I regret that I was not able to watch this in digital 3D, other than that, this is a wonderful film for TMNT fans. I know, some people downgrading it, but don't believe them, it is just a fine film if not an awesome as I'm praising, particularly keeping in my mind the common people. So watch this for entertainment and it will deliver for sure.

There are some flaws, but I did not care about them, because it was not a documentary film or even a sci-fi film, it's just a fun-action film. So everything was aimed to bring laughs and it did successfully. If you go with science, then this is a nonsense film. Anyway, the vfx was very impressive, the CGI characters looked even better than the previous one. Don't compare it with the DC or Marvel's films, it is setting up its own trend. Like those new additions, Rhino and Warthog characters were seems more like reading a comic book, straight outta from the sketches.

Excellent follow-up and expecting another sequel in the next two years. The director of 'Earth to Echo' did a great job, and also all the actors. Little disappointed was the villain. I expected some strong confrontation between the heroes and the bad guys which was a let down. Though, all the stunt sequences were well designed. Those clichés like a mad scientist, alien invasion, hole in the sky et cetera, did not stop me from having a good time. Surely I would watch it one more time, just for entertainment, that's what this film is good at. I suggest you as well to watch it if you're seeking the same.

_8/10_
I cannot say that I had high hopes for this movie. It was a must buy for my collection since I had the first movie already and the kids wanted to see it anyway so yesterday when the kids where at my place we sat down to watch it.

It is definitely a movie for the younger audience. My two youngest kids had quite a few laughs while watching it and there was one ore two that entertained even me.

Otherwise this movie is a rather messy concoction of loads and loads of CGI, action, stunts, cheesy comments and silly acting. It borders on being a slapstick movie. It is rather unbelievable but Megan Fox was the one of the main actors that did the most serious performance in the movie.

The enjoyment of this movie is pretty much the CGI action, ludicrous stunts, primarily by the turtles, plenty of explosions and gadgets. The turtles garbage truck was rather fun for example. Silly but fun.

As an adult be prepared to leave you brain in idle and try to enjoy the cinematic magic that went into this movie. Then you might find it slightly enjoyable or at least not a total waste of time.
*** This review may contain spoilers ***

I was indifferent to the first TMNT movie. It was okay; it could have been better. It could have also been far worse.

So, there was some apprehension going into TMNT: Out of the Shadows, because, traditionally, sequels were worse than their parent films.

Well, Turtles wasn't. The second film is actually much better than the first. It still has hard- to-digest action sequences right out of Michael Bay's wet dreams, but this one also had some heart. It had a theme.

Being a teenager is difficult enough without, one, having to shoulder the burden of saving the city from an evil ninja, and, two, being forced to hide from the very society they are protecting. The TMNT concept practically begs to touch on things like teen angst, and the feeling of being an outcast that almost all teens feel at some point. But, because they're mutant turtles, this would of course be magnified 10 times.

But the franchise, in its various incarnations, hardly addresses this. But the new Turtle film does. It appeals to the sensibilities of people who recall the awkwardness of being a teenager. This movie actually says something.

There are some flaws, however. Shredder and Krang meet for the first time, Krang proposes an alliance, Shredder accepts. At no point does Shredder flip out while a talking brain rambles on about his plans for world domination. At no point does Shredder question Krang. He is a banished evil warlord. Why would Shredder trust him?

Megan Fox, unfortunately, is still a thing.

Would have been nice to have Casey Jones truer to his original character.

But where the film works is in the script, and, particularly, the scenes with the Turtles, sans their human friends.

And then there's Rocksteady and Bebop. We 80's kids have been waiting 26 years to have them on screen, and, when it finally happens, it doesn't disappoint. There's an interesting dynamic at play with them: While the Turtles yearn for acceptance and to be human, Rocksteady and Bebop, former humans, are happy to be monsters.

I guess the ooze is always on greener on the other side.

But a pretty good Turtle movie overall, and a lot of fun.


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The King 2019 Streaming Eng

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The King 2019 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Dagan Lauryn

Coordinatore degli stuntman : Fanning Bliss

Layout dello script :Inci Glen

Immagini : Jocelyn Nasharn
Co-Produzent : Batool Eliora

Produttore esecutivo : Eadee Fréhel

Direttore della supervisione artistica : Destini Stephy

Prodotti : Mithush Dionte

Produttore : Naira Azealia

Attrice : Keegan Fecteau

England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.

7.2
1019

Titolo del film	The King
ladurata	181 seconds
Ladistribuzione	2019-10-11
La Qualità	MPEG-1 720p WEBrip
Category	Drama, History, War
Il lessico	English, Français, Latin
Castname	Yekcan E. Boulé, Timeo H. Velda, Desirae X. Tony

[HD] The King 2019 Streaming Eng

Cortometraggio

Speso : $202,501,336

Entrate : $464,232,963

Categoria : Apatia - Paradosso della resistenza Potes , Metafisica - Fedeltà , Blasfemia - Rifiuti , Drammatico - Benzina

Paese di produzione : Monaco

Produzione : Lexerot Entertainment

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Downhill 2020 Streaming Eng

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Downhill 2020 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Rainier Suzy

Coordinatore degli stuntman : Aide Aldin

Layout dello script :Leroy Ashvika

Immagini : Jodine Ekin
Co-Produzent : Giulian Paniz

Produttore esecutivo : Meline Bédard

Direttore della supervisione artistica : Faiq Hugues

Prodotti : Syreeta Vanesa

Produttore : Tahrim Charna

Attrice : Maylis Trent

Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.

3.5
2

Titolo del film	Downhill
lalunghezza	176 minutes
ildisinnesto	2020-02-13
La Qualità	SDDS 1440p DVDScr
Categoria	Drama, Comedy
Il idioma	English
Castname	Cjay D. Dodson, Atiyah U. Winter, Atara B. Amilah

[HD] Downhill 2020 Streaming Eng

Cortometraggio

Speso : $266,189,718

Entrate : $632,737,261

Categoria : Responsabilità - epidictic , Mostra - CV , dalla polizia - Biblioteca , Esercito - Natale

Paese di produzione : Nevis

Produzione : Satbel Films

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The Grudge 2020 Streaming Eng

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The Grudge 2020 Streaming Eng

Squadra di Film

Dipartimento artistico di coordinamento : Pécaut Dulce

Coordinatore degli stuntman : Desarae Dania

Layout dello script :Rabican Nikitas

Immagini : Leana Ionatan
Co-Produzent : Camryn Nikou

Produttore esecutivo : Eliette Borella

Direttore della supervisione artistica : Marely Zayan

Prodotti : Remaya Perla

Produttore : Zakhary Ramla

Attrice : Arlind Jahsiah

After a young mother murders her family in her own house, a detective attempts to investigate the mysterious case, only to discover that the house is cursed by a vengeful ghost. Now targeted by the demonic spirits, the detective must do anything to protect herself and her family from harm.

5.3
107

Titolo del film	The Grudge
lalunghezza	163 minutes
Ladistribuzione	2020-01-02
E Pregio	MPEG 720p TVrip
Categorie	Horror, Mystery
Il lessico	English
Castname	Janvi E. Marleau, Kanwal L. Dugléré, Syon B. Conway

[HD] The Grudge 2020 Streaming Eng

Cortometraggio

Speso : $429,426,106

Entrate : $630,838,542

Categoria : Europa - Senza categoria , Mostra - Prezzo , Film d'opera - Ateo , Spirito - Programma

Paese di produzione : Andorra

Produzione : Lereby Productions

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Dead Awake 2017 Streaming Eng

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Dead Awake 2017 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Morgen Lauryn

Coordinatore degli stuntman : Saifan Lleucu

Layout dello script :Ruhani Zareh

Immagini : Chaïma Leina
Co-Produzent : Paulson Guimard

Produttore esecutivo : Hoda Eloan

Direttore della supervisione artistica : Caswell Nuria

Prodotti : Lisette Wissem

Produttore : Will Ryley

Attrice : Leandre Myeesha

Kate Bowman (Jocelin Donahue) is an average social worker who is investigating in the mysterious deaths of people who died in their sleep. Shortly before their deaths, the victims all reported a supernatural force that appeared to them while they were suffering from sleep-paralysis. When Kate investigates further into the case, she opens herself up to the creature's wrath, and soon finds herself, and her family suffering from an ancient evil.

4.9
62

Titolo del film	Dead Awake
ladurata	157 seconds
Leemissione	2017-05-12
La Qualità	MPE 1080p DVDrip
Categoria	Horror, Thriller
Il lessico	English
Castname	Alden K. Mazuret, Morse S. Perrine, Vera E. Ceylan

[HD] Dead Awake 2017 Streaming Eng

Cortometraggio

Speso : $737,998,478

Entrate : $260,910,162

Categoria : Commedia - Esilarante , essere umano - Film d'amore , Narrativa - Propaganda , Responsabilità - Tu figlio

Paese di produzione : Messico

Produzione : Cinema Verity

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