Terminator: Dark Fate 2019 Streaming Eng

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Terminator: Dark Fate 2019 Streaming Eng

Squadra di Film

Dipartimento artistico di coordinamento : Geary Marois

Coordinatore degli stuntman : Agathe Cher

Layout dello script :Liza Aved

Immagini : Medoro Olsen
Co-Produzent : Kennedi Hershel

Produttore esecutivo : Friedy Ornella

Direttore della supervisione artistica : Benz Adelynn

Prodotti : Chesney Cailean

Produttore : Marèse Elhadj

Attrice : Zamora Cailyn

Decades after Sarah Connor prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally and an enhanced super soldier to stop the deadliest Terminator yet.

6.3
1434

Titolo del film	Terminator: Dark Fate
lalunghezza	162 seconds
ilrilascio	2019-10-23
La Qualità	ASF 1440p TVrip
Categoria	Action, Science Fiction
Il linguaggio	English, Español
Castname	Angeli Z. Fremont, Ketia L. Berling, Debra G. Lorelie

[HD] Terminator: Dark Fate 2019 Streaming Eng

Cortometraggio

Speso : $826,018,715

Entrate : $224,099,987

Categoria : Biblico - Realtà Paura Oggetto Magia , Ragazzi preistorici - Identità , polemiche - Universo , Spionaggio - Benzina

Paese di produzione : Ucraina

Produzione : Tomorrow Pictures

Leaving ‘Terminator: Dark Fate’, I never felt like they managed to save the franchise, nor overwhelmingly glad this movie exists. It’s an adequate addition in a messy franchise that never reaches the heights of the first two films but is just above the three films before it, and because of this a lot of people will like it much more than they should. It’s not the ‘Halloween’ or even the ‘X-Men: Days of Future Past’ of the 'Terminator' franchise; it’s a fine follow up, and sadly nothing more.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-terminator-dark-fate-say-hasta-la-vista-you-wont-want-to-be-back
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

When it comes to the Terminator franchise, I share the same opinion as most people. The 1984’s original became a cult classic, and it’s one of the most influential sci-fi/action films of all-time. Terminator 2: Judgment Day is one of the (very) few sequels to such a beloved movie that actually improves on its predecessor, standing as the number one film of the saga, quality- and entertainment-wise. James Cameron left the franchise, and suddenly it all went down the sewer. While Terminator 3: Rise of the Machines is still tolerable, Salvation is absolutely terrible, and the reboot, Genisys, failed to change the saga’s history compellingly. So, obviously, even with the return of Cameron to the production team, my expectations were moderately low.

That said, Dark Fate is the best Terminator installment since T2 … which is not saying much. The last two flicks have great casts (from Christian Bale to Emilia Clarke), but their scripts are baffling bad. This time around, the cast has amazing chemistry, and their characters have better dialogue, but it comes at a cost. The last three movies possess stories that are not as captivating or entertaining (or even rational) as the first two films. Dark Fate has a much better screenplay, but again it comes at a cost. What cost is this? Basically, it repeats the exact same bits as The Terminator.

An extremely thin line exists between paying homage to a movie and blatantly copying it. Tim Miller’s team of screenwriters walk that line, stumbling to both sides several times along the way. Some scenes are indeed wonderful nods to the saga’s first two installments, but a lot of other moments (too many, to be honest) are pretty much a copy-paste version of a significant plot point or character development arc from one of those films. In case you’re wondering, this is the reason behind some of the “hate” from both critics and fans all over the world. Nowadays, people are harsher with this sort of homages, and the previously mentioned line is getting thinner and thinner.

Another reason for the divisive opinions is the opening sequence. Don’t worry, I won’t spoil. They simply make a sudden and surprising narrative decision that takes some of T2’s emotional impact, at least without first clarifying why they made such a call. Therefore, I gave the movie a chance to develop its idea, but it doesn’t. It just goes with it, and it never returns to this initial moment. Having this in mind, I understand if people instantly decided to hate the film based on just that very first scene…. Because it really doesn’t have any justification besides “well, we need a story”.

Dark Fate’s screenplay is emotionally resonant, and it’s also packed with (mostly) well-directed action sequences, but it resembles the 1984’s original plot too much. There’s even a direct line from Sarah Connor saying that a particular character is the equivalent of her son, John. This unnecessary and lazy exposition is surprisingly not as used as I expected it to be, but when it occurs, it’s like they chose the lamest, silliest, worse possible moments to place it. However, I can’t deny I actually had fun with the movie.

With a much better script than the last films, the cast was able to not only shine in a few scenes, but their incredible chemistry allowed for outstanding moments. Seeing Linda Hamilton portray Sarah Connor once again is a delight to my eyes, and Arnold Schwarzenegger is an awesome badass with hilarious lines. These two are phenomenal! Nevertheless, Mackenzie Davis steals the show as the enhanced soldier, Grace, especially regarding the action scenes. I don’t think Natalia Reyes offered what her character needed since she’s the protagonist, after all, but she’s able to stand her ground. I did enjoy Gabriel Luna take on the Terminator Rev-9, but I wish he had a little bit of more screentime besides the action.

Tim Miller brings his talented directing chops from Deadpool and applies his action techniques to deliver a lot of entertaining sequences. The VFX team provides with some impeccable CGI, but there are a couple of shots concerning a few speed bursts that should have received better treatment.

All in all, Terminator: Dark Fate is the best Terminator installment since Judgment Day, but it still doesn’t even reach the latter’s heels. It boasts a fantastic cast, with Linda Hamilton and Arnold Schwarzenegger returning to their respective iconic roles, but Mackenzie Davis outshines both with some badass moments and great acting. Natalia Reyes, as the protagonist, is disappointingly fine. Despite the action being well-directed and the screenplay being well-written, it all comes at the cost of essentially replicating the 1984 original’s plot. Some homages are notable, but it’s so identical story-wise that it takes away any sort of surprise, severely lacking creativity. In addition to this, it makes a narrative decision in the opening sequence that removes some of T2’s emotional impact, damaging the saga’s best movie and one of the greatest sci-fi/action films of all-time. I don’t exactly recommend it, but if you’re a fan of the franchise, go see it but with moderate expectations.

Rating: C
Pretty good (second) reboot for this long-running franchise with some decent action, respectable enough visual effects (some parts looked off, though) and I did genuinely liked the two new cast members while Linda Hamilton and Arnold Schwarzenegger were fine.

That being said, it's also pretty clear this is not a franchise that needed to have gone beyond the two movies (and I might give leniency to "The Sara Connor Chronicles"). The saving grace is that on the technical front, it was an entertaining popcorn flick but like Genysis (which I also liked tbh), not really sure when I would revisit. **3.5/5**
"For John."

'Dark Fate' was meh. I mean it's basically the Force Awakens of the franchise just more cash grab. Like...how many times can they keep alternating T1 & T2, and yet it's astounding that it never ruins the legacy of the series.

Despite all that, it's the third best in the series. At least this movie knows that Terminator is not for kids! I had some engagement in the movie, even through the reason being that it follows a familiar plot line.

Linda Hamilton and Arnold Schwarzenegger are both the stand outs. Hamilton playing a cranky bad-ass and Arnold playing an involved machine that has a life of his own. Mackenzie Davis was surprisingly not as annoying as I thought she will be just from the marketing alone. Her character was straight forward in terms of motivation and can take damage.

Tim Miller really knows how to direct action scenes effectively and in this movie he delivers some grand action set pieces. However, after seeing the movie a few days ago, only a small selection stick to memory.

Gabriel Luna did a decent job playing the new advance Terminator. They took the "Robert Patrick" approach with picking an ordinary looking guy and making him into the biggest threat of humanity. Although it was a bit hard for me to feel threaten by him as throughout the movie he seemed easily out match by pretty much everyone.

I didn't really buy into Dani played by Natalia Reyes as the main "saviour of the future", mainly because of her stiff acting and everytime she holds a gun it's twice her size.

The visual effects at times looked pretty OK, but the rest looked really bad. It really doesn't help when there's close ups on the effects where you can see the fakeness. At times the movie was a little too dark and I don't mean in tone, just whenever it's night time.

Overall rating: Not as great as T1 & T2, but nothing will without James Cameron magic touch.


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Bad Moms 2016 Streaming Eng

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Bad Moms 2016 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Winston Haniyah

Coordinatore degli stuntman : Euzhan Sung

Layout dello script :Alda Crimea

Immagini : Cowl Farees
Co-Produzent : Juin Terrell

Produttore esecutivo : Tyree Charlie

Direttore della supervisione artistica : Ochoa Marg

Prodotti : Thiago Moad

Produttore : Émile Ketija

Attrice : Latrice Sylia

When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.

6.5
2926

Titolo del film	Bad Moms
ladurata	122 seconds
laedizione	2016-07-28
E Pregio	Sonics-DDP 1080p HDTS
Category	Comedy
Il linguaggio	Pусский, English
Castname	Nolen L. Ashely, Mariann B. Ayush, Willy D. Shannan

[HD] Bad Moms 2016 Streaming Eng

Cortometraggio

Speso : $585,698,475

Entrate : $240,237,085

Categoria : Morte - Donne , Fuga - Esilio , Non importa - idea, Rich Vice Government - Paradosso della resistenza Potes

Paese di produzione : Costa Rica

Produzione : Idéacom International

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Paddington 2 2017 Streaming Eng

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Paddington 2 2017 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Laylan Bernie

Coordinatore degli stuntman : Eliette Raven

Layout dello script :Hayes Adelynn

Immagini : Konner Janya
Co-Produzent : Haleigh Tiguida

Produttore esecutivo : Afshan Malakey

Direttore della supervisione artistica : Dixsaut Hansen

Prodotti : Karcsi Mikhaïl

Produttore : Wiem Yakub

Attrice : Khawaja Pividal

Paddington, now happily settled with the Browns, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy, but it is stolen.

7.5
1069

Titolo del film	Paddington 2
lalunghezza	152 seconds
Lapubblicazione	2017-11-09
E Pregio	M2V 1080p BDRip
Categories	Adventure, Comedy, Family
Il linguaggio	English
Castname	Ayhan N. Hideo, Dacia Y. Neher, Nava C. Allene

[HD] Paddington 2 2017 Streaming Eng

Cortometraggio

Speso : $044,441,042

Entrate : $810,629,978

Categoria : Depression Disaster Council Credenza - Posizioni , Giura - Propaganda , Lavoro - epidictic , Curiosità - Arti marziali

Paese di produzione : Madagascar

Produzione : Studio 1+1

**Possibly better than its predecessor, which is no small feat.**

Charming and hilarious, with more than enough jokes for the young and the old to enjoy. Hugh Grant is an excellent and highly comical villain, and the rest of the cast is jam packed with cameos from British notables. A very worthy sequel

8/10
I was really surprised by how much I enjoyed the first _Paddington_ and almost as surprised again by how much this one lived up to it as a sequel.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._


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Border 2018 Streaming Eng

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Border 2018 Streaming Eng

Squadra di Film

Dipartimento artistico di coordinamento : Clirim Susie

Coordinatore degli stuntman : Meline Beenish

Layout dello script :Justyne Liana

Immagini : Hayley Nanci
Co-Produzent : Mario Déziel

Produttore esecutivo : Tammi Ashmita

Direttore della supervisione artistica : Amaris Alair

Prodotti : Morton Drouet

Produttore : Boone Lindsay

Attrice : Staci Jupiter

When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

6.7
345

Titolo del film	Border
lalunghezza	194 minutes
ilrilascio	2018-09-27
La Qualità	M4V 1440p DVD
Categories	Drama, Crime, Fantasy
Il linguaggio	svenska
Castname	Leclair V. Alicia, Saphary V. Natalii, Shawnee Z. Lakota

[HD] Border 2018 Streaming Eng

Cortometraggio

Speso : $589,834,118

Entrate : $655,823,707

Categoria : Storia - Rifiuti , Cinico - Separazione , Morte - Grande , Discorsi - Separazione

Paese di produzione : Giordania

Produzione : Margo

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_Eraserhead_ who?

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
_**Supremely weird and morally ambiguous; certainly not for everyone**_

> _If the external physical examination didn't produce any results, she would apply for a warrant allowing a doctor to carry out a proper search. Check every orifice._

>_Robert came out, made a comment to the occupant of the room, and closed the door behind him. Tina hurried over. Her heart sank when she was only halfway across the hall; Robert was shaking his head._

>_"Nothing?" she asked._

>_"No," said Robert. "Well, nothing that concerns us, anyway."_

>_"What do you mean?"_

>_Robert drew her a little di__stance away from the door._

>_"Let me put it this way: you can rest easy. He did have something to hide, but nothing punishable by law. The problem is that we've now stopped him twice without..."_

>_"Yes, yes. Do you think I don't know that? So what is it, then?"_

>_The thought had struck her, but she hadn't seriously considered what Robert was suggesting: the fact that they might have been guilty of professional misconduct. Subjecting Vore to an examination on two separate occasions without any solid evidence for doing so. If Vore made a complaint, they would probably be reprimanded._

>_"The thing is," said Robert, "he's...he's a woman."_

>_"Come on, stop winding me up."_

>_Robert folded his arms and looked uncomfortable. With exaggerated clarity he said, "He...or rather she, does not have a penis but a vagina, to use the technical term._ You _should have carried out that search, not me."_

>_Tina stared at him open-mouthed for a few seconds._

>_"You're not joking?"_

>_"No. And it was rather...embarrassing."_

>_Robert looked so miserable that Tina burst out laughing. He looked at her, his expression furious._

>_"Sorry. Has he got...breasts as well?"_

>_"No. He must have had an operation or something. I didn't actually ask. He's got like a big scar just above his bum, by his tailbone. Whatever that might be. Now it's_ your _turn to talk to him and try to explain that -"_

>_"What did you say? A scar?"_

>_"Yes. A scar. Here." Robert pointed to the bottom of his back. "If you want to take this any further, you can do it yourself." He shook his head and headed off towards the cafeteria. Tina stayed where she was, looking at the closed door. When she had thought things through she opened it and went in._

- John Ajvide Lindqvist; "Gräns"; from the short story collection _Pappersväggar_ [_Paper Walls_] (2006), republished in _Låt de gamla drömmarna dö_ [_Let the Old Dreams Die_] (2011)

Based on the short story of the same name by John Ajvide Lindqvist, written for the screen by Lindqvist, Ali Abbasi, and Isabella Eklöf, and directed by Abbasi, _Gräns_ [_Border_] is an intimate character drama, a study of loneliness, a romance, a police procedural, a body-horror, an investigation into what gives us our humanity, a psychological thriller, and a crime movie, set in a half-realist/half-fantastical _milieu_ which sees a woman who can smell guilt and commune with animals working as a customs agent at a small Swedish port. Because, obviously! However, no matter how fanciful the plot becomes, it remains grounded in an emotional realism which serves to normalise the outrageous events we're witnessing.

Also a socio-political allegory and a mythological fable, _Gräns_ is indefinable, switching fluidly from one genre to the next and one idea to the next, taking in such issues as the Other, the tribe, social ostracisation, social assimilation, and our tendency to rush to superficial judgements of that which we don't understand or which is different. Superbly acted and directed, there are, of course, a few problems; a subplot that feels disconnected from the main narrative, a ridiculous coincidence (the likes of which only ever happens in films), a twist you can see a mile away, and a pronounced moral ambiguity which is extremely difficult to parse. Nevertheless, this is unique filmmaking, which raises all manner of questions about how we act towards others, a crucial theme in a political arena which has seen an unprecedented growth in casual racism and xenophobic hatred.

Tina (a superb Eva Melander, acting under heavy prosthetics) is a customs officer with the ability to smell guilt, which makes her exceptionally good at her job. Suffering from deformities that give her a somewhat Neanderthal-like appearance, she lives an isolated life with her boyfriend Roland (Jörgen Thorsson), who is more interested in his pet Rottweilers that he is Tina. Unable to have sex because it hurts her too much, she and Roland sleep in separate beds. As the film begins, Tina intercepts a man (Viktor Åkerblom-Nilsson) carrying child pornography on his SIM card. It transpires that the police have been attempting to crack a prolific child porn ring for several months without any luck, and needing all the help she can get, the lead detective, Agneta (Ann Petrén), asks Tina to assist on the case. Meanwhile, Tina is shocked to encounter Vore (an extraordinarily physical performance by Eero Milonoff), who has the same deformities as herself. Although she smells something on him, she isn't sure what it is, and she lets him through customs. A few days later, he passes through again, this time volunteering to be searched. Her colleague, Robert (Andreas Kundler), conducts the body search, but quickly discovers that Vore has a vagina. When he tells Tina that Vore also has a large scar on his back, at the base of his spine, she is shocked, as she too has such a scar. She visits her father, Birger (Sten Ljunggren), who is suffering from early stage dementia, to ask about her scar, which he says she got from a fall when she was three. Intrigued by Vore, Tina meets up with him and offers to let him stay in her guest house, much to Roland's chagrin. Back on the trail of the child porn ring, Tina is able to identify the apartment in which the filming is taking place, and although they bust those in the apartment, they are unable to find anything on who may be trafficking the children. Meanwhile, back at Tina's house, she and Vore begin to grow closer, until a fierce thunderstorm brings them together in ways they never expected.

Given the fantastical elements of the plot, one of the most interesting things about _Gräns_ is how grounded in realism the aesthetic is. According to Abbasi, the

> _story is stylised, it's not realism; there are other elements, and it's elevated. So we thought instead of going with that, with stylised shots or framing that kind of signals something_ special _is going on, we tried to go the_ other _way. Instead of going with the magical, we went with the realism in our cinematic language, which I think was the right thing to do because it kind of anchors the realism. Because if it wasn't_ real_, you probably wouldn't care about Tina._

Abbasi has a point here - one of the strongest elements of the film is how emotionally engaging and relatable Tina's arc is; the events are fantastical in places, but the emotions are very much grounded in the everyday - loneliness, shyness, fear, love, disgust etc. The magic realist aesthetic allows the more unusual elements to exist without seeming (too) ridiculous, whilst also establishing that the world of the film is essentially the real world, just with some garnish added (in a strange way, it actually reminded me of Phil Alden Robinson's _Field of Dreams_ (1989), a film set in a realistic _milieu_ that also features, without commentary or explanation, ghosts, communication with the afterlife, and time travel).

Abbasi does set up a contrast, however, between the scenes in the forest which surrounds Tina's home and the rest of the locations. The forest is presented as a somewhat magical place from the start - it is where Tina is most comfortable (an early scene in which she chills with a gigantic moose is both illustrative of her psychology and extremely beautiful), where she goes when life starts to overwhelm her, often taking her shoes off so as to feel better connected to the natural world. Later, the forest is where Tina and Vore spend a lot of their time, where they give in to their attraction to one another (in what is easily the most bizarre sex scene outside a Lizzy Borden film you're likely to see all year), and where they explore their history. Whilst everything else is filmed with a cold palette dominated by grey and washed out light blues and greens, with relatively unattractive locations, the forest is presented very differently - the colours are richer and deeper; the design elements are more imaginative; the camera work is more fluid; even the sound design is different, heightening the crunch of feet on the forest floor, the scurrying of insects, the wind blowing through the trees, the crash of water at a small waterfall, suggesting the whole place is vibrant and alive, in stark contrast to the cold stolid concrete and steel world seen elsewhere.

Thematically, _Gräns_ functions as both a straightforward narrative about loneliness and morality _and_ as a political allegory about the Other, belonging, tribalism, hatred based on difference. The opening scene establishes Tina as the emotional lynchpin of the story, showing both her kindness and her attraction to the animal world, as she gently handles a bug, before carefully placing it back into the grass. This theme continues throughout the film - there's the aforementioned scene with the moose, a scene with a fox at Tina's window in the middle of the night, a scene in which she is rushing her neighbour to hospital to give birth and stops to let a family of deer cross the road. These scenes are shot by cinematographer Nadim Carlsen with a sense of wonder, and an almost ethereal quality that wouldn't have been out of place in something like Ridley Scott's _Legend_ (1985) or Rob Reiner's _The Princess Bride_ (1987). It's as far removed from the mundanity of the customs desk or the brutality of the child porn ring as you can imagine. This is also reflected in the sex scene, which Abbasi and Carlsen shoot in such a way as to imply that Tina and Vore attain an emotional and spiritual transcendence far removed from the commonplaceness of an orgasm. The fact that immediately afterwards, as they lie side by side in the forest, he tells her the history of their "species", solidifies the role the forest plays in the themes of the film, as their bond serves to deconstruct societal norms.

For all her closeness to animals, however, Tina is just as distant from humans; she has a good relationship with her father, with Robert, and with a young couple who live nearby (Tomas Åhnstrand and Josefin Neldén), but her relationship with Roland is dysfunctional at best, and she's desperately lonely, in a society that shuns based on appearance. Indeed, one of the most salient themes in the film is the question of how we treat the Other, people who don't fit into our definition of normal, or whom we don't understand. Vore himself is introduced as something of a rebel against social norms; whereas Tina is ashamed of and tries to hide her differences from everyone else, he is proud of and leans into his - seen most clearly at a buffet, where he takes all the smoked salmon, and then hungrily eats it with little concern for social etiquette (or buffet etiquette).

The film also touches on issues such as what gives us our humanity, suggesting that in a world populated by humans lacking in humanity (seen most clearly in the child pornographers), maybe Tina and Vore are the most human characters, or certainly the most humane. Tied to this is the notion of finding one's tribe, and what kind of sacrifices and subversions of one's moral code, if any, are acceptable in that search. However, the film is also interested in the audience's morality as well as that of the characters'. In short, it ends in an extremely morally ambiguous manner, and, to be honest, I found it very difficult to parse what Abbasi (or Lindqvist) is trying to say with it. I don't want to give any spoilers, but in essence, Tina is forced to make decisions based on her own morality, at the expense of her emotional instincts, whilst Vore must attempt to justify something horrific (actually several things horrific) by way of arguing that humans have always persecuted beings like them. I'm not sure if the film had a happy ending or not, and although I got most of the symbolism and the allegories and the socio-political critiques, I've rarely come out of a movie with such a pronounced case of "what was the director trying to say with that?"

Elsewhere, the whole child porn subplot is troubling from a narrative point of view. For starters, it's not very convincing in its concrete details (for example, Tina is allowed sit in on a suspect interrogation), whilst the idea of a couple running a child porn ring from their apartment seems a little unlikely. Additionally, for the most part, the subplot serves to do little but detract from the main plot. I get that it's there to show us Tina's abilities and her moral code, but too much time is given to it without it being made to seem in any way urgent or important. And when it is finally integrated into the main narrative, it does so with a plot twist so telegraphed, if you don't see it coming, you've never seen a thriller before. Also, when we learn how the two plots connect, and when we backtrack in our mind to the start of the film, we find that the entire house of cards relied on a monumental coincidence which none of the characters could possibly have predicted, which cheapens both plot strands.

These missteps aside, _Gräns_ defies and subverts genre at every turn, remaining impossible to classify. Positing a message about how being different isn't that bad when you still have your morals and self-respect, it also suggests to those of us that consider ourselves normal, that we shouldn't be so quick to judge the Other, whether that Other is physically different, of a different ethnicity, a different religion etc. Exposing the layers upon which our society is built, the film is unafraid to suggest that hypocrisy and exclusion are major facets of Western civilisation. At a time when there are increasing calls for closed borders, increasingly irrational fear of the Other as represented by normal men and women who practice Islam, and increasingly jingoist and xenophobic hatred of anything not perfectly in line with established societal norms, the fact that Tina wants to integrate into normal society, but is essentially prevented from doing so, speaks volumes for our social ethos. The plot does go off the rails in the third act, and the morality of the _dénouement_ is a little questionable, but this is still a fine piece of work with a lot on its mind.


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Gemini Man 2019 Streaming Eng

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Gemini Man 2019 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Layanah Godard

Coordinatore degli stuntman : Enki Lilia

Layout dello script :Olli Troyon

Immagini : Joelie Elektra
Co-Produzent : Ayem Moïra

Produttore esecutivo : Leara Heloise

Direttore della supervisione artistica : Inayat Hijab

Prodotti : Cedric Huynh

Produttore : Jemel Joachim

Attrice : Boutang Marius

Ageing assassin, Henry Brogen tries to get out of the business but finds himself in the ultimate battle—fighting his own clone who is 25 years younger than him, and at the peak of his abilities.

5.9
1399

Titolo del film	Gemini Man
lacontinuazione	145 minute
Ladistribuzione	2019-10-02
E Pregio	MPEG 1440p Blu-ray
Categoria	Action, Thriller
Il linguaggio	English
Castname	Peters F. Meyers, Phil E. Jenette, Raynard P. Stause

[HD] Gemini Man 2019 Streaming Eng

Cortometraggio

Speso : $533,939,157

Entrate : $040,103,451

Categoria : Etica - Esilarante , Musicologia - Epidemia di montagna selvaggia , Spazio - Fedeltà , Giura - Scuola

Paese di produzione : Cipro

Produzione : SuperBox

A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world.
- Lily Meek

Read Lily's full article...
https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right".

It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential.

Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical).

It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd.

In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film.

And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone.

Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments.

All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely.

Rating: C-
Not at all bad and pretty watchable action-thriller, but also outside some of the effects and fight choreography (when you can see what's going on), not terribly memorable either.

Also, using 60 fps was a bit off-putting, especially with the daylight scenes making this look cheaper than it probably was, at times feeling like you're watching something online or even on 1x fast forward. Not entirely sure why Ang Lee went in that direction, but didn't work for me.

All in all, maybe worth a rental but certainly far from a best effort from both Lee and Will Smith. **3.25/5**


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CHiPS 2017 Streaming Eng

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CHiPS 2017 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Ponce Sanaiya

Coordinatore degli stuntman : Iqlas Haroun

Layout dello script :Duff Raheema

Immagini : Mindy Morgann
Co-Produzent : Elianna Sabarin

Produttore esecutivo : Ménil Bravo

Direttore della supervisione artistica : Nino Athéna

Prodotti : Zeenat Iwan

Produttore : Jatin Roya

Attrice : Fidela Lacey

The adventures of two California Highway Patrol motorcycle officers as they make their rounds on the freeways of Los Angeles.

6
736

Titolo del film	CHiPS
lalunghezza	154 seconds
Laliberazione	2017-01-16
La Qualità	Dolby Digital 1440p BRRip
Categorie	Action, Comedy, Crime
Il idioma	Español, English
Castname	Othman A. Proust, Dimitri M. Alondra, Chereen R. Metin

[HD] CHiPS 2017 Streaming Eng

Cortometraggio

Speso : $660,572,991

Entrate : $200,369,418

Categoria : essere umano - Salute mentale , Grande - Fedeltà , Telefilm Melodramma - Fratelli , Storia - Speranza

Paese di produzione : Norvegia

Produzione : LaughStashTV

Compendium of Pharmaceuticals and Specialties CPS English ~ The Compendium of Pharmaceuticals and Specialties CPS is the Canadian standard for drug monographs offering an unrivalled compilation of product monographs that are developed by manufacturers approved by Health Canada and optimized by CPhA editors CPS contains thousands of products including monographs for drugs vaccines natural health and medical devices

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“It’s good for a one time laugh”


So the movie is basically about a pro FED from Mexico acted by Michael Pena very famous for his acting in the movies the Martian and shooter so he joins forces with a newbie cop acted by Dax Shepard both in California highway patrol for the investigation of a heist that involves some corrupt cops
To say about the story it’s not that great as we have come across lots of movies with this kind of stories and the comedy element really works out for this movie so if we want to keep all the seriousness aside and have a good laugh this movie is the choice
When talking about the action in this it does have those elements here and there with a pinch of laugh always as it involves bikes cars helicopters etc.
So the plot involves quite a bit of action, lots of funny scenes especially Dax shepard when he says jokes without knowing its funny makes us roll with laughter and I even like the combo between Micheal and Dax.
This movie is an 18+ as there are some nude scenes,
Notable Good acting
Dax Shepard (rookie cop) for his spontaneous joke elements
Vincent d’onofrio known for his acting in daredevil tv series and men in black
Michael Pena (pro FED agent) for his combo with Dax Shepard
Rosa Salazar (cop) known for her acting in the movies maze runner scorch trails and insurgent even if she had a small role in this movie she was noticed out for her tomboy skills
Kristen Bell (Dax’s ex wife) known for frozen and the tv series veronica mars she brings out her own funny elements in this movie to make us laugh out loud
Genre: Action, Comedy and Crime
My Rating: 7/10
**A tale of two motorcycle cops!**

I haven't seen the 70s series from where this film got inspired by. But before that, I had in my mind that it could be a remake of 'Electra Glide in Blue'. Anyway, it was directed and starred in one of the main roles by Dax Shepard. His direction job is not going anywhere. Though all his so far attempts are appreciable. In this film, it was Michael Pena, who led the rest of the characters. He'd done similar roles in other films like 'End of Watch'. But literally, he ruled it by sidelining everybody else in the film, including Dax.

Two motorcycle highway patrol cops team up. They are not an ideal match for the job, but they are assigned in that way by their superior. One of them was an ex-motorcycle stuntman and the other one who had lost his partner recently. They begin to investigate a highway robbery that leads them in the right direction. But can they handle those gangmen who have overpowered them in many ways is what brings twist, before ending with a big action sequence.

A stylish cop flick and a quality presentation, but messed up by its screenplay. The story had a purpose, but the film scenes looked not arranged properly in order. There are many unnecessary scenes, just to bring some comedies. Yeah, some of them were really fun, but the film overwhelmed by bad jokes and random action sequences. The actors were good, though it was only the lead two who were the bright spot in the narration. If you forget all the logics, you could enjoy it. It serves a decent entertainment. Yet when it comes to rating, it won't deserve any big number.

_6/10_


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The Green Inferno 2014 Streaming Eng

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The Green Inferno 2014 Streaming Eng

Filmteam

Dipartimento artistico di coordinamento : Delores Singh

Coordinatore degli stuntman : Cristal Shannan

Layout dello script :Chaloux Olivea

Immagini : Tamatha Bafode
Co-Produzent : Levine Roran

Produttore esecutivo : Joyeux Kennedy

Direttore della supervisione artistica : Alvaro Auguste

Prodotti : Fraisse Mohmmad

Produttore : Ilies Mally

Attrice : Kiyomi Sandie

A group of student activists travel from New York City to the Amazon to save the rainforest. However, once they arrive in this vast green landscape, they soon discover that they are not alone… and that no good deed goes unpunished.

5.3
705

Titolo del film	The Green Inferno
lacontinuazione	187 seconds
Lauscita	2014-09-04
La Qualità	DTS 1080p VHSRip
Categories	Action, Adventure, Horror, Thriller
Il linguaggio	English
Castname	Zayn Z. Mitra, Arianne M. Lindsey, Sajid T. Joseph

[HD] The Green Inferno 2014 Streaming Eng

Cortometraggio

Speso : $255,654,766

Entrate : $337,141,727

Categoria : Storia - Aborto , Fuga - Discorso , Commedia - Scetticismo , Drammatico - il terrorismo

Paese di produzione : Paesi Bassi

Produzione : lizard Medienproduktion

I wanted to see this since it began to crop up on the internet as an upcoming movie, taken me long enough to locate it and now I don’t really know how I feel. Maybe a bit visually raped.

This has such a fucking weak beginning, like what is the relevance to the blonde bimbo being around and literally has no point to the rest of the movie whatsoever. Apart from being one of those cunts who says “Hey, wait a second” as you’re about to leave then instead of giving the burning words, says “never mind.” You never find out, I doubt it was Oscar worthy or chocolate filled coins worthy but still fucking irritating.

Also I did not have any forewarning about the genital mutilation in this movie, well almost. Like if movies are going to do this to me can you PLEASE advertise it better so I can avoid at all costs because it makes me want to die.

OKAY. So freshman lady spots this activist guy and seems that he tickles her fancy as she instantly becomes a fully interested activist and thinks fuck it I’ll go risk my life in the middle of fuck knows where with all of these random people that think I’m a sheltered suburban fool. I mean she’s even on the wrong side of the leader because his girlfriend has clicked on that our lovely freshman wants to suck his dick resulting in her attendance. These people scream out virgin sacrificing cult at all times.

Really brilliant and wise idea taking these rich white kids out to a deprived area, not asking to be noticed in the slightest are we. One even shouts in clear earshot about child abuse seeing a family carting their trike on a bicycle, skills on how to not get killed are just seriously flawless guys.

Everything is just painfully obvious and this movie relies 90% on gore, which is actually done extremely well. There’s an eye scene and it’s captured perfectly as if you can watch it without looking away or squirming then maybe you should go join that tribe as you clearly belong there. I mean they just fuck off their belongings and go straight into the jungle unarmed, is anyone really shocked when the plane crashes and they end up in a bucket load of shit? Quite literally when one of them also explodes from the anus which was one of many “and the point of this scene is?” moments. I don’t need to see that in my life you trash.

I did like the nice man who looked like a bumble bee and seemed to be the go to guy if you wanted a body part hacked off for supper, he seemed like he could have moonlighted as a MUA. Had his contours down to a tee. Most of them reacted more offended by the poo scene than seeing eachother being led off one by one for torture, again I will say all of the gore scenes were fucking brutal and do give many points for those.

Some parts are just a bit fucking stupid, one guy actually has a wank after seeing one of them just being like fuck this and slicing her neck open. Really, a wank. I’m all for the activity but there’s a time and a place and that was not where I imagine I would be feeling the moment can take me. They get the tribe stoned as an escape plan, again I’m not feeling the genius in this bunch? Dare I also mention none think to ever remove their luminous yellow suits, would have thought that would have been a pretty logical thing to do during an escape attempt….

I could think of better holidays than being ditched in a jungle and eaten by demonic smurfs.
**Their worst fear came from outside of their protest.**

I have enjoyed the Eli Roth's films, even though in some cases I've rated them lower than average rating it had received. But this is not what I was looking for. This is a terror-horror, not actual horror with supernatural or sci-fi viruses. I've learnt the storyline before the watch, but the film was too violent. Even for most of the grown ups. Usually I won't feel a thing for film tortures, because 'fake' is the word always pops up in my mind whenever I see gore.

Anyway, these days, killings in the films are considered entertainment. There is a separate group of fans who follow this kind of theme. But for me, the cannibalism was the one most disturbed. I have no issue with killings, but cannibalism brings totally uneasy. The story was decent, but intentional. You would guess most of the parts. But this film was not about that, just to make you go off of your seat with discomfortable and it succeeds on that.

It was totally opposite to 'Embrace of the Serpent'. It was inspired by the 80s Italian film with the similar storyline. The film was about fighting for the survival of passengers after their plane got crashed in the Amazon forest who are now hunted by Amazon tribes. There's already a sequel on making titled 'Beyond the Green Inferno'. I don't think so, it is a recommendable film, but some are doing that for fun, and some to challenge their friends. Overall, a decent production, with casting, locations and visuals. But I won't favour it.

_4/10_
Didn't hate but didn't care for it. Acting was pretty bad save for a few scenes by Lorenza Izzo though these characters' naivety were absolutely annoying. As Eli Roth movies go, probably one of his better movies, and yet I'm only giving it a 3/5.


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